Saturday, 3 October 2026

“I’m Not Looking for Anyone to Make Me Happy” — Toni Tone on People-Pleasing, Self-Worth and Healthy Love

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The stories we're told about love often start long before our first relationship. They take shape in childhood; in the relationships we see, the affection we receive, and the roles we learn to play. By the time we start dating, many of us aren't just looking for love; we're repeating patterns we don't even realise we've inherited.

For Sunday Times bestselling author Toni Tone, it took years of breadcrumbing, people-pleasing and relationships that left her questioning her own value to realise she wasn't just choosing the wrong partners; she was carrying the wrong definition of love. Only by unlearning what she'd come to accept as normal did she discover what a healthy relationship could feel like…and it was very different to what she’d imagined.

Here, Toni shares what it feels like to unlearn everything she thought love was.

As told to Mischa Anouk Smith

What It Feels Like to Unlearn Everything You Thought Love Was

During the more difficult chapter of my life, dating felt quite anxiety-inducing. It also felt emotionally draining. I often questioned my value and self-worth; I tied it to the validation I would receive from my partner, and when they weren't treating me adequately, I would internalise that.

I had pockets of happiness, but it was the type of happiness I would now associate with breadcrumbing: someone giving you just enough attention and affection that you don't emotionally separate yourself from them, but not enough that you feel stable in a relationship.

I didn't really know where I stood with people, and I would question my value significantly.

I had to audit my own selection process and choices

The breakdown of my longest relationship forced me to review not just how my previous relationships made me feel, but also my own selection process and choices. I had to take on some deep self-reflection.

There's a massive difference between blaming yourself as a victim versus trying to learn from the experience. For me, it was about being honest with myself and asking: why did I think that relationship was suitable? Why did I pursue it? Why did I remain in that relationship despite feeling all these feelings of inadequacy?

That reflection process was a period of healing for me, and unlearning a lot.

Part of what I unlearned was how I viewed masculinity, what may have influenced that—my relationship with my dad, for example—and how that may have played a part in my selection process.

When you’re dating in your 20s, it can be easy to say: I want a career-driven guy who's tall, who's handsome. You don't pinpoint character in your selection process as much as you do in your 30s or later.

Those experiences emphasised the importance of traits I was dismissing as a young person: shared values, belief systems, consideration, understanding.

What helped me most was taking time out. I had a habit of being in a relationship, thinking I was doing self-work, getting into another relationship not long after and finding myself in a cycle.

I had to say: I am not going to enter anything else feeling jaded. I'm going to enter my next relationship from a place of healing, self-fulfilment and contentment.

I'm not looking for anyone to make me happy. I want someone who will complement the life and the happiness that I've already developed.

My value was rooted in what I was able to do for people

As a woman who identifies as “the strong one”, especially when you've been encouraged to be resilient, independent and a caretaker—whether it's as an older sibling, an only child or a carer—you end up feeling responsible for other people's unhappiness.

In my past relationships, I centred my partners because I took it upon myself to be of service. My value was rooted in what I was able to do for people and how I showed up for them.

I realised I was dismissing my own desires and needs because I took on this sacrificial role: “We'll do what you want; where you want to eat, wherever you want to go, whatever you want to do. I'm here to support you. That is my job: to be of help and to be of service.”

It created an imbalance in my dating.

With age, I've learned to take a back seat and be willing to open up, be more vulnerable, and not be so quick to offer my assistance. I can't please everybody.

I had to come to a place where I was comfortable with doing nothing.

Toni Tone reads her new book Soft Life

"Safe feels like a willingness to not be active, a willingness to relax." (Image credit: Toni Tone)

Growing up, my dad was sometimes emotionally unavailable and sometimes emotionally volatile. I was used to him having moods and being unpredictable, so I went into relationships not realising that was my baseline.

Chaos was familiar to me.

There needed to be something happening—a tiff or something going on—otherwise it felt weird.

I had an ex before my husband who was such a gentleman. It didn't work out because I ended that relationship feeling: you are an amazing person, but I don't feel like you're my person. Because that was my first healthy relationship, it felt uncomfortable in the beginning. Being in a relationship where there was peace, if I'm honest, sometimes felt boring.

I feel ridiculous saying it, but I understand when women say, "He's too nice."

It's easy to feel that way when you come from a home dynamic, or even a previous relationship, where you've grown to equate a rollercoaster of emotions with excitement.

Being in that first healthy relationship as an adult, I was like: this feels so boring. Everything was just fine all the time; what's going on? What's the catch? This doesn't feel authentic; I need to see the real you, but that was the real him; I was just used to the opposite.

Safety feels like trust

The other day I posted something about my husband always falling asleep in the middle of the day. He sleeps for seven-plus hours at night and falls asleep during the day. Some people commented: "He feels safe around you."

I think safety feels like rest, like sleepiness. Safe feels like a willingness to not be active, a willingness to relax. That is safety for me.

Toni Tone on her wedding day

Toni Tone on finding safety in the freedom to rest, relax and simply do nothing. (Image credit: Toni Tone)

Healthy love is everything you deserve

In the same way that rest doesn’t have to be earned, someone loving you wholeheartedly and willingly isn't something you have to earn.

I used to see the pursuit of love as a challenge: I'll make him choose me, I'll change him. I realised it was less about him and more about me proving something to myself: that I'm of value.

The message I would give to my younger self is that you are valuable and you do not have to prove that to people. You deserve to be loved for exactly who you are from the very beginning. It is not something you have to earn.

Soft Life by Toni Tone is out now



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Friday, 2 October 2026

The Beauty Digest: Nobel Prize-Winning Skincare, a Very Chic Body Brush and the Future of LED Therapy

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The Beauty Digest is my Beauty Director’s edit of what’s actually worth your attention. Each week, I’ll be sharing the new launches I’m using and loving, the viral treatments I’m putting to the test (and what I really think of the results), plus my take on the industry conversations everyone’s talking about.

The New Launches on My Radar

Spotlight On: The Philosophy of Perfume

The Philosophy of Perfume by Alice du Parcq, The British Library

(Image credit: The British Library)

Few people can talk about perfume with quite the same infectious enthusiasm as fragrance journalist Alice du Parcq. With an encyclopaedic knowledge of the industry and a remarkable ability to make even the most complex aspects of perfumery feel accessible, she's become one of the most compelling voices in fragrance. Her new book, The Philosophy of Perfume, explores our relationship with scent beyond the notes and ingredients, delving into the psychology of perfume, its connection to memory and identity, and why certain smells have such a profound emotional effect on us.

It's a refreshing departure from the usual prescriptive approach to fragrance, encouraging us to think less about what we should be wearing and more about what genuinely captures our attention and moves us. Whether you're a committed perfume obsessive or simply curious about why a particular scent can transport you back twenty years in an instant, this is an essential read.

The Treatment Trial: Current Body Series 3 Mask

Confession time: I've always been a little sceptical of at-home LED therapy devices. Compared to professional treatments, the light intensity is often lower, and poor skin contact can compromise how effectively the light is delivered. That's not to say they don't work—there's pretty solid evidence supporting certain wavelengths of LED light for skin rejuvenation—but I've often found myself questioning whether the results justify the (sometimes considerable) investment.

CurrentBody's new Series 3 mask, however, addresses some of these concerns, taking into account the factors that influence the efficacy of LED therapy, including wavelength, light dosage and how consistently the light reaches the skin. Where the Series 2 offered three wavelengths and 236 LEDs, the Series 3 has six wavelengths and 750 LEDs, including blue light for blemishes, green for pigmentation and yellow for redness, alongside red and near-infrared light for skin rejuvenation. But the really clever part is its new MyDose technology, which lets you map different wavelengths to specific areas of your face via its app. So, rather than treating your entire face with the same light, you could target fine lines around your eyes with red light, pigmentation on your cheeks with green and breakouts on your chin with blue, all in the same session. The system then automatically calculates and adjusts the light dosage for each area.

It's a major technological advancement, bringing a level of precision to at-home LED therapy that was previously out of reach. I've been using it for two weeks now, and I'm already impressed with the results, not to mention how comfortable it is to wear. It fits snugly against my face without feeling restrictive, and crucially, doesn't hurt my eyes. It's still early days for assessing the longer-term benefits, but so far, it's doing a very good job of converting me.



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These Autumn/Winter 2026 'Power Pieces' Are the Low-Effort Styling Hacks That Will Make Every Outfit Better

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Sometimes we're so fixated on the nuts and bolts of an outfit and following easy outfit formulas (especially when short on time) that we forget how much impact a well-chosen add-on can have on the overall wow factor of a look. Not this Autumn. On the runway, it was the finishing touches, as they might once have been called, that were impossible to ignore – and are ultimately what help us develop our own personal style. These "power pieces" ranged from the practical – layering combinations that mean you don't need to buy anything, but simply reconsider how to wear two garments together – to the decidedly playful (handbags shaped like amphibians and earrings designed to dazzle).

So, if you've been feeling a little lost and, instead of overhauling your entire wardrobe, are looking for small ways to buy into new season trends and develop your own personal style, consider this your guide to Autumn/Winter's low-effort styling hacks that will make every outfit better.

The Autumn/Winter 2026 'Power Pieces' That Will Make Every Outfit Better

Anti "It" Bags

Anti It Bag

Clockwise from top left: Dior AW26, Louis Vuitton AW26, Sac Décoratif, Givenchy AW26 (Image credit: Future)

The "It" bag looks a little different for Autumn/Winter 2026. At Louis Vuitton, it was shaped—or whittled—into a portable wooden shed, with miniature "logs" lining its sloping roof and a mere pentagon of monogrammed leather. Dior's novelty bag was a snap-closure purse that wouldn't have looked out of place on a lily pad with its webbed "feet" and frog green velvet. Givenchy's bag might have resembled a bag, but it was otherwise festooned, with fringed and floral bag charms that covered one side like a living wall. A dinky satin drawstring pouch that dangles from one wrist feels like the easiest way to do it, especially during party season when practicality isn't the main priority.

Corsages

Corsages

Clockwise from top left: Chanel AW26, Khaite AW26, Altuzarra AW26, Dior AW26 (Image credit: Future)

A corsage used to be a byword for a rather demure flower. It's now discovered its dramatic side, however. At Chanel, a corsage of jet black feathers was the jaunty addition to new-gen tweed jackets. Altuzarra moved away from flora altogether, creating a fringed corsage that looked vaguely botanical, sure, but certainly not demure. Pin yours onto the lapel of a tailored blazer or military-inspired jacket for instant flair.

Belts

Belts

Clockwise from top left: Valentino AW26, Miu Miu AW26, Celine AW26, Chloé AW26 (Image credit: Future)

Once an accessory designed to hold up one's trousers as opposed to making a statement of intent, belts are becoming the main-character of many outfits. Celine's medallion belt is practically a collector's item (both the buckle and leather were rendered in red this Autumn/Winter). Miu Miu's ritzy, glitzy belts were actually worn outside belt loops—a subversive take somewhat tempered by the sheer amount of rhinestones. Valentino, meanwhile, turned sashes into jewel-toned waist-cinchers. What could be more elegant after-dark?

Clever Layering

Combinations

Clockwise from top left: Emilia Wickstead AW26, Erdem AW26, Lanvin AW26, Tom Ford AW26 (Image credit: Future)

How you wear an item of clothing is just as meaningful as the garment itself for Autumn/Winter, with clever layering combinations that made the most of every component. At Tom Ford, this meant a transparent pencil skirt that revealed the pairing of a striped button-down and lace stockings. Lanvin heroed the turtleneck, meanwhile, using a fine-gauge style to add colour (not to mention an extra layer of cosiness) to several looks. Finally, Emilia Wickstead, who popped a denim shirt under a tweedy dress—adding chic to one garment and cool to the other.

Pendant Necklaces

Pendant Necklaces

Clockwise from top left: Tory Burch AW26, Dries Van Noten AW26, Ann Demeulemeester AW26, Chloé AW26 (Image credit: Future)

An enamel tulip; an articulated fish, just two examples of the pendants that are guaranteed to become cult add-ons this Autumn/Winter (Dries Van Noten also dispensed with a blouse to give its pendant, which is already sold out online, a background of bare skin). Dangling a few inches short of the navel in most cases—and incorporating bohemian tassels and unexpected charms—they're the ideal partner for high-necked blouse (very Chloé-coded) or a lived-in suede blazer.

Statement Earrings

Statement Earrings

Clockwise from top left: Tory Burch AW26, Chanel AW26, Marni AW26, Saint Laurent AW26 (Image credit: Future)

No power piece has aged as well as the power earring, an '80s staple that was a resounding trend this Autumn/Winter. How you wear your hair will play into which lobe decorations you'll lean towards, although it has to be said—all suit fuss-free styles. Marni's polished orbs look particularly elegant with a pulled-back low ponytail. Saint Laurent's crystallised birds, with the quite the wingspan, also suit a simple yet effective bun. Chanel's paste and pearl drop earrings, meanwhile, might pair nicely with a chignon but, otherwise, you can either wear a cocktail dress or a starched white shirt.

Brooches

Brooches

Clockwise from top left: Toga AW26, Oscar Ouyang AW26, Toga AW26, Oscar Ouyang AW26 (Image credit: Future)

Brooches have long dusted off their old-fashioned identity. The way to ensure yours reads as "fashion" as opposed to "fusty", however, is with its placement. Instead of a lapel or breast pocket, opt for a lesser-spotted position. You could fasten yours around the laces of a sturdy brogue. Or use it to decorate a felted ham brim or the hem of a knee-length pleated skirt for a modern take on a traditional kilt pin. And don't feel cornered into adopting a "one and done" mantra. A constellation of brooches, perhaps falling just so down the side of a sweater or adorning the loop of a scarf, is a winning approach this Autumn.



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Thursday, 1 October 2026

Here's What to Ask For at the Hair Salon to Get What You Actually Want

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Ever had an experience at the hair salon where what you had in mind isn’t quite what you ended up with? It sounds simple, but one of the best ways to make sure you get what you want from your hair appointment is to make sure what you ask for is actually… what you’re asking for. Ask any hairdresser, though, and they’ll tell you that there’s a lot of confusion around various in-salon services and techniques.

That is why I asked three of them to share the terms they most often hear clients use incorrectly in the salon—versus what they actually mean. From colour to cuts and treatments, consider this your ultimate confusion-busting guide to help you ask for the right thing once you’re in the chair.

9 of the Most Misused Hairdressing Terms—and What They Actually Mean

Toner vs a full colour service

“This is probably the most misunderstood word in the salon,” says Samantha Cusick, founder of the SCL salons. “Clients come in asking for a toner thinking it's going to transform their colour completely [to] a whole new shade. What a toner actually does is refine and adjust the existing colour. It cancels out unwanted tones, adds depth or shine and makes everything look more polished and intentional. It's the finishing touch, not the main event. Brilliant and often transformative, but not a colour service in its own right.”

Abbie Cirket, Stylist at Blue Tit East Village, agrees that clients will often say something along the liens of, “‘I hate how dark or warm my blonde is, so I need a toner to make it lighter’. A toner changes or refines the tone of existing hair; it doesn’t create significant lift,” she explains. “It can neutralise unwanted yellow or brassy tones or add a different tonal direction, but if the client wants substantially lighter hair, that requires a lightening service first.”

2. A trim vs a proper haircut

“[Clients will say] ‘I just want a tiny bit off the ends', but they really mean an inch or more,” says Charlotte Mensah, founder of Hairlounge and author of Good Hair: The Essential Guide to Afro, Textured and Curly Hair. "People often ask for the tiniest trim because they want to keep as much length as possible, but when it comes to cutting hair, health has to come first. If the ends are split or damaged, taking off a little more can actually do far more good than harm. There’s no benefit in holding onto length that is compromising the overall health of the hair.”

“A trim is still a haircut, as the stylist is removing length and/or reshaping the hair,” Cirket echoes. “The confusion tends to come when ‘trim’ is used to mean ‘don’t take much off,’ rather than ‘don’t cut it.’”

Mensah stresses the importance of a health-first approach, which she and her team always take in her salon. “We take off what the hair needs, no more and no less. And importantly, less hair to cut doesn’t make the service cheaper, just as taking off more doesn’t make it more expensive. The skill and care involved remain the same.”

3. Balayage vs highlights

Cusick notes that clients frequently ask for balayage when they are actually after highlights. “Sometimes they want full highlights, but have seen a balayage picture they like the colour of, rather than the technique,” she explains. “Balayage is a freehand painting technique where colour is applied directly to the hair without foils, giving a softer, more natural, sun-kissed result with a gradual fade. Traditional highlights use foils and give a more uniform, higher-contrast finish.”

The reverse is also true. “Often, clients will say they want ‘highlights’, but they actually mean they want their hair to be lighter,” says Cirket. “They automatically say highlights when they want a lighter result, but usually they want a more softly-blended and lower maintenance result, which would be a balayage.”

Ultimately, it comes down to the results you’re after. “Neither service is better, they just do completely different things,” says Cusick. “Knowing which one your client actually wants is one of the most important conversations we have at consultation.”

4. Layers vs movement

“Oh, this one causes so much confusion. Clients ask for layers when they mean they want movement and texture, but they often panic when they see hair being cut shorter because they think they're losing length,” says Cusick. “Layers don't have to mean shorter hair, they mean strategically placed cuts through the hair to create movement, remove weight and add shape. The length can stay exactly the same.

“‘I want layers’ often means ‘I want my hair to have more movement, volume and that bouncy, effortless look I’ve seen in a photo’,” Cirket adds. “Layers are created by cutting different sections of hair to different lengths, so the hair doesn’t all sit at one length. But there are lots of different types and placements of layers—long, short, internal, face-framing, crown layers, et cetera—and they can produce very different results.”

Ultimately, it’s about explaining what you want the layering or texture to do for your overall style. “Getting specific about what you want layers to do for you—more volume, less bulk, more texture—is so much more useful than just asking for layers and hoping for the best,” Cusick concludes.

5. Money piece vs face-framing highlights

“The money piece has become one of the most requested things in the salon and I love it, but there is so much confusion around what it actually is,” says Cusick. The term is often confused with face-framing highlights, she explains, but the two are quite different. “A true money piece is a deliberate, quite bold section of lightened hair that sits right at the front of the face, framing it with a noticeable contrast against the rest of the colour,” Cusick explains. “It's a statement. It's meant to be seen.”

On the other hand, “Face-framing highlights are much softer, much more blended and much more subtle. Both are gorgeous, but they create completely different results,” she continues. “If you [want] a money piece and your colourist gives you a soft face frame, or vice versa, nobody is getting what they wanted. Always bring a reference image for this one, as it will save so much confusion on both sides of the chair.”

6. Conditioning treatment vs bond builder

Cusick also notes that clients will ask for a conditioning treatment, thinking that it will repair damage. However, “[this] makes hair feel softer and smoother temporarily by coating the outside of the hair,” she explains. “A bond builder actually works inside the hair shaft to rebuild the broken bonds that cause damage in the first place.” One is about moisture and softness, while the other is about deep structural repair inside the hair. “If your hair is genuinely damaged from colour or heat, a conditioning treatment alone won't fix it,” Cusick stresses. “You need to be rebuilding from the inside out.”

7. Face-framing vs curtain bangs

“This is another term commonly used by clients, when actually they maybe want more of a curtain bang look—they can look similar, but they aren’t necessarily the same cut,” says Cirket.

“Face-framing is a broader cutting technique, where pieces around the front of the hair are cut to different lengths to create shape around the face. It can be very subtle, sometimes starting around the cheekbone or jaw, and can blend into the rest of the haircut. Curtain bangs are more specific. They’re a type of fringe that is generally shorter in the centre and longer towards the sides, creating that parted, curtain-like effect. They can incorporate face-framing pieces, but not every face-framing haircut is a curtain fringe.”

8. Blow dry vs straight hair

Mensah explains that clients will often request a blowout, not straight hair. “When somebody asks for a blowout, they might not necessarily want poker-straight hair, but they usually do want smoothness, polish and movement,” she says. Again, this comes down to the terminology.

“People can sometimes be nervous about words like ‘straightening’ or ‘silk press’ because they associate them with heat, and that concern is understandable,” she continues. “Heat is something we should use thoughtfully, but my approach has always been: start with healthy hair, protect it properly, use the right tools and then the possibilities open up.”

9. Gloss vs shine treatments

“People think a gloss is just a shine treatment, like a finishing spray or something superficial. Actually, a gloss is a semi-permanent colour service that coats the hair shaft, corrects tone, adds incredible shine and improves the overall condition of the hair,” says Cusick.

“It genuinely transforms how colour looks and how hair feels and it's one of the most underrated services we offer. When a client says they just want a bit of shine, nine times out of ten what they actually want is a gloss.”



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Meet K-Pharmacy: Korea's Clinical Formulations are The Next Skincare Frontier

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K-beauty has revolutionised how we approach skincare, with South Korea becoming the world's beauty hub and producing some of the most exciting innovations of the past decade.

So, what happens when a more advanced category of ingredients and brands enters the global stage? Meet: K-pharmacy, the booming concept that's set to ramp up skincare in the Western world this coming year.

“K-pharmacy is Korean skincare shaped at the pharmacy counter rather than on a social media feed," says Junho Jung, Licensed Pharmacist, Founder & CEO of Dr.Reju-All. "K-beauty taught the world to love texture, ritual and discovery; K-pharmacy adds another dimension: evidence and trust. It starts with a different question: not ‘What’s trending?’ but ‘What does my skin actually need, and why?’”

"It encompasses products and brands with strong pharmaceutical, dermatological or pharmacist-led roots, often at affordable prices, and which you won’t find on the high street," adds Dr Christine Hall, aesthetic doctor and K-beauty expert.

Hall explains there's a relevant difference between the two countries (the UK and Korea) to understand here, in terms of how we approach the distinction between healthcare and skincare. "It's not quite as rigid in Korea as it is in the UK. You can walk into a Korean pharmacy and find products for acne, pigmentation, sensitive skin, barrier repair, scarring and post-treatment care alongside medicines and other healthcare products," she says.

The skincare brands reflecting the K-pharmacy approach are, however, now quickly becoming popularised (and more accessible generally) in the West, despite being nothing new in South Korea. "It isn’t a new concept by any means – but it is only recently that the rest of the world is hearing about it," says Hall.

This popularity boom here, Jung notes, is mostly because our skincare education as consumers has evolved significantly in recent years. “Western consumers have become remarkably fluent in active ingredients. They no longer just want to know what is in a product, but why it is there and why they should trust it. As K-beauty matures, I believe its next phase will pair Korean innovation with greater evidence and expertise. Trends fade, but trust compounds.”

Social media (and beauty tourism) has a huge role here, too. "Someone goes to Korea, walks into a pharmacy and discovers a product they’ve never seen in Boots or Space NK. They try it, post about it, and suddenly consumers in the UK are asking, 'Why can’t I get this here?'" says Dr Hall. "Korean pharmacists themselves are seeing the value of this and many are creating social media pages where their posts often go viral."

Brands helping popularise the movement here, Hall says, include AESTURA, OneThera and Dr.Reju-All. Of the former, she says: "It's a really good example of how this category developed. Its Atobarrier Cream was launched almost 20 years ago through dermatology clinics and hospitals, where it gained recognition before eventually becoming available more widely through health and beauty retail."

Dr.Reju-All, she notes, is also "a brand whose formulations are grounded in the clinical experience of pharmacists." Known for its PDRN range, it also heavily features ceramides, retinoid-focused products and PDLLA formulations, which harness the power of injectable clinic biostimulators. PDLLA is "an ingredient that hasn’t yet really made its way over to the UK as a topical skincare product," says Hall.

"And then you have pharmaceutical companies such as Dong-A Pharmaceutical, which has products including Noscarna Gel for scarring and acne-focused products such as Aclean within its dermatological portfolio," she concludes.

The K-pharmacy category—and Korean beauty more broadly—does a great job of playing with how we formulate the ingredients we love and how we deliver them. In other words, it's great at rethinking "how ingredients with roots in dermatology can be formulated for everyday skincare," says Jung. PDRN (a topical 'alternative' to injectable polynucleotides) is a good example. PDLLA (used in aesthetics as a skin booster) is another, which we may start to see more of topically in the UK.

The beauty industry in Korea is particularly impressive for "taking ingredients that address similar concerns and finding ways of making them more tolerable and cosmetically elegant," explains Hall. For example, "it was Korea that brought microspicules into the skincare world, and this is an area of growth. There is interest in whether microspicules can increase the absorption or delivery of active ingredients, so the use of these for the delivery of other ingredients is going to be an interesting focus."

Whatever is next will no doubt be just as fascinating.



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Wednesday, 30 September 2026

I Just Got Back From Milan—This Retro-Inspired Dress Is What Italian Women Wear to Look Polished

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Yes, stereotypes aren't always accurate, but one week in Milan proved one thing for certain: Italian women have truly mastered the art of timeless style. And one item in particular was behind countless sleek outfits of the street style set: the simple shift dress, in every variation.

The shift dress's appeal to Italian women comes as little surprise, considering Miuccia Prada is one of its biggest backers, regularly putting the style on both the Prada and Miu Miu runways. But since its 1920's inception—thanks, many say, to Coco Chanel—surprisingly little has changed.

Shift dress

(Image credit: Getty Images)

The straight-up-and-down shape remains the key silhouette, while hem lengths vary from the thigh-high short to the mid-calf, for something more modest. And you'll find every variation of neckline from an extra-low scoop to a T-shirt like design, which means there's a shift dress to suit every personal style. For which the women at Milan Fashion Week offer plenty of inspiration.

For a more evening-ready look, leave your shift dress as the sole focal point, worn with only layered jewellery and a simple pair of pumps or over-the-knee boots. For an office-friendly outfit, look to layer a long-sleeve tee or shirt beneath your shift dress and finish with a loafer. And for something even cosier once the cooler weather rolls around, consider a jumper and a thick pair of tights. Essentially, it makes for a great layering piece that easily adapts with the seasons.

Shift dress

(Image credit: @blaireadiebee)

Fans of the shift dress aren't exclusive to Italy, with stylish women around the world returning to this classic shape for a polished look year-round. American content creator Blair Eadie was recently spotted in an easy transitional outfit, layering a barn jacket over a shift dress while the balmy weather hangs on just a little longer.

That said, the choice of which shift to choose comes down to you, and whether a classic black cotton, autumn-ready corduroy, or a more focal-point pattern best suits your style and wardrobe. Keep in mind that this one dress can go on to create an impressive number of outfits.

Below, the shift dresses worth a scroll.

Shop Shift Dresses



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