Friday, 4 September 2026

Jodie Comer Just Announced the Start of Knee-High Boots Season

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A sure-fire way to determine whether someone is older or younger than 30 is to ask them a simple question: would you wear knee-high boots in summer. If the answer is "yes", they're almost certainly Gen Z—and wore the shoe in question to All Points East. If it's a resounding "no", you're more likely a Millennial, one who wouldn't dream of covering their calves in leather during a national heatwave.

Jodie Comer

Jodie Comer (Image credit: Givenchy)

Wherever you land on knee-high boots during summer, however, this week's cooler temperatures (plus the advent of a new season) mean that you might be considering shelving your strappy little sandals for something a little sturdier, especially as they've just been endorsed by Jodie Comer.

On the promo trail for The Death of Robin Hood, the actor wore a full look from Givenchy by Sarah Burton—an oversized white shirt that hit the upper thigh and the brand's famous boots, the so-called "Shark Pinch".

The Shark Pinch, which are available in a thigh-high version as well as the knee, have a very distinctive silhouette courtesy of a double-shank construction that embraces "the tension between structure, sensuality and female empowerment". Decorated with hardware in the form of a metallic band that follows the leg's curvature (a similar detail can be found on one of the maison's handbags, also called the "Pinch"), these boots have attitude.

Comer paired the Shark Pinch which dropped online today in six different colours, with the same mini hemline that girlies here, there and everywhere have been advocating for this summer. Her oversized shirt, which is also from Givenchy by Sarah Burton, was styled like a dress, leaving a stretch of bare thigh (and knee cap) on show—perhaps to acknowledge the fact that summer isn't over for another few weeks.

It's a formula that is guaranteed to be a winner, especially while temperatures are lingering somewhere between mild and cool—and you can incorporate some coverage but also breeze in your look. Gen Z or Millennial, Jodie Comer says it's knee-high boot season, which means, dig yours out and ignore the nagging voice telling you it's not yet autumn once and for all.

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Thursday, 3 September 2026

"What Did She Expect?"—The Sexism and Classism Behind The UK’s Aesthetics Safety Crisis

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I’m sure you are aware of the kinds of comments that are made when aesthetic treatments go wrong. Why would you let somebody mess with your face like that? Clearly she went to see somebody dodgy. The feeling—sometimes implied, sometimes explicitly expressed—is that the person affected ‘should have known better’.

This is, obviously, incredibly judgmental. But more than that, it ignores the beauty standards that drive people to seek treatment, as well as the huge gaps in our current system that leave people exposed to harm. And it’s women who are most affected.

By global standards, the current rules are lax and their loopholes notorious. For example, technically, anybody can inject filler. No formal qualifications or insurance are legally required, nor the medical training needed to manage the situation if and when things go wrong—and injecting filler in even slightly the wrong place can be catastrophic. In 2024, a woman died after receiving a liquid BBL—a highly dangerous procedure whereby filler is injected into the buttocks.

Then there are the counterfeit, unlicensed and illegal products that are rife in the UK. Last summer, 41 cases of botulism were reported in the space of almost two months, linked to the use of an unlicensed fake product.

And yet somehow, we are in a place where navigating the complexities of our aesthetics industry is entirely on the consumer. If you end up being treated by somebody inexperienced, well, that’s your fault for not checking a list of things you may not have even known about—the implication being that you are somehow responsible for things going wrong.

When you look at who is most likely to experience these complications, and who is most judged when they do occur, there is an undercurrent of misogyny and classism. Aesthetic treatment complications are therefore incredibly political.

The Presumption of Safety

Many consumers assume safety is universal when booking aesthetic treatments. “I think it's a genuinely reasonable gap in understanding rather than any failure on patients' part,” says Dr Caroline Warden, GP and Aesthetic Doctor and founder of the Dr Caroline Warden Skin & Aesthetic Clinic. “Most people assume that if someone is advertising and charging for a treatment, they must be operating within some regulated framework.”

But sometimes they aren’t. What seems like an industry that must have watertight rules in place around who can pick up a syringe could not be further from reality. While botulinum toxin (often the brand name Botox) is a prescription-only medicine, dermal fillers and other aesthetic devices, like lasers, aren’t restricted to any particular qualification.

This somewhat undermines the “should have known better” argument. Known what, exactly? That someone legally offering treatments that break the skin, including injections, may have no medical qualifications? That a legitimate-looking business may not be equipped to manage an emergency?

“Patients tell me they feel ashamed, ‘stupid’ and confused as to how there are no regulations to govern who is allowed to inject,” says Dr Steven Land, Aesthetics Doctor and Director of Novellus Aesthetics, adding that this is exacerbated when they learn how unusual this lack of rules is compared to the rest of the world.

Dr Warden echoes this. “Patients frequently arrive apologetic, almost as though the complication reflects a mistake on their part rather than a shortfall in the care they received,” she says.

Of course, complications can happen even in experienced hands. “No aesthetic treatment is completely without risk,” says Dr Cindy Teo, GP and Aesthetic Doctor and founder of Dr Cindy Aesthetics. “The important difference is how we minimise those risks, and whether a practitioner can recognise a complication early and act quickly before it becomes more serious.”

The crucial difference is that regulated professionals are overseen by various bodies, through which consumers can complain when things go wrong, and are bound to strict codes of conduct. Medics have a duty of care and can lose their licenses in the event of serious misconduct. The system is far murkier when it comes to unqualified and unregulated practitioners.

The issue, then, isn’t that cheap treatments are dangerous. The issue is whether appropriate safeguards exist before, during and after treatment. Too often, the answer is no.

The Class Divide in Aesthetic Treatment Safety

The desire (or pressure) to be “beautiful” isn’t new, but we live in a time of social media filters and AI capable of generating entirely new versions of what we could look like. Beauty standards are served up on our phones almost constantly, so it’s hardly surprising that so many women end up wanting treatments. But the playing field isn’t level.

Much has been written about the gap between those who can and cannot afford beauty and aesthetic treatments, and how those who can benefit from them. But when those from lower-income backgrounds do seek treatment, there is still a disparity. “Cost can affect access to safer treatment, as those on lower incomes may have fewer affordable options and be left more exposed to risk in a poorly regulated market,” says Caroline Corby, Chair of the Professional Standards Authority for Health and Social Care (PSA).

Research published earlier this year by UCL also suggests that higher concentrations of non-medical practitioners offering Botox, in settings like salons and spas, are more likely in deprived areas. It is silly to pretend there isn’t a kind of safety gap at play, driven by who can afford access to treatments in the safest settings.

This is where simply warning consumers against anything “suspiciously cheap”, though important, can feel inadequate. Of course, people should be warned of red flags. But when the safest treatment is financially inaccessible to many, price often makes the decision—which is why stricter regulations are critical to consumer protection.

There are horror stories of procedures being carried out in places like public toilets or garages. The knee-jerk instinct to ask why somebody would agree to that is understandable. But it shouldn’t stop there. Why was that treatment available in the first place? And what combination of beauty pressures, financial constraints, regulatory failures and a desperate desire to access treatment made it an attractive enough proposition to accept? This is clearly about more than enjoying a beauty self-care moment.

Regardless of the circumstances, everyone should be entitled to help and support when complications arise.

When the System Blames the Patient

Nevertheless, we know that the judgment that can come with complications is very real. However, as Corby says, “People should have clear information about risks, but the focus should be on better safeguards and standards, not placing responsibility on the consumer when things go wrong.”

Ashton Collins, director of Save Face, says that judgement can even extend to the institutions supposed to protect people. “We've had situations where women have been told when they've arrived at hospital, you are the illest person in this hospital, and unless you have an operation in the next hour, you will die. That's been caused by somebody who has been completely negligent and is technically, legally assault,” she says.

Yet when cases are reported, Collins says women can be treated as though they’ve made “stupid choices driven by vanity. Basically, ‘what did you expect’ is the vibe.”

Can you imagine this playing out in other industries? A person is left with a life-threatening injury after a commercial service and they are met with judgement and blame?

Accountability, meanwhile, can be remarkably difficult. Collins describes “ghost practitioners” who operate through social media, sometimes without patients even knowing their full name or address. “When things go wrong, she blocks you,” Collins says. “That cycle will go on; she'll close that page down and set up somewhere else.”

The NHS and the costs of treating these complications are frequently brought into the debate, too, given that these are elective treatments. But if public money is repeatedly being spent treating preventable injuries, why is so much outrage directed at the patient, not the systems that allow unsafe practice to flourish? Why aren’t there better systems in place to prevent as many of these injuries as possible?

Has Prejudice Helped Hold Up Regulation?

We know women are often blamed when treatment goes wrong. So have misogyny, classism, and those attitudes around beauty have contributed to the lack of urgency in protecting them from complications? I don’t think it’s a wild assumption.

“In the past, I have wondered whether the slow regulatory response could be partly attributed to a feeling that when things go wrong, women ‘bring this on themselves’, perhaps through a perception that undergoing these procedures is driven by vanity,” says Corby. “It shouldn’t matter what the procedure is; if it carries a high risk, there should be adequate protections around it to keep people safe and well.”

Regulation is coming (though not without criticism), but progress has been slow. A proposed licensing scheme for England, which categorises treatments via a traffic light system, is still under discussion, while Scotland has announced its licensing scheme, set to come into effect in 2027. No such proposals have been made for Wales or Northern Ireland.

‘What did you expect?’ is therefore unfair and entirely the wrong question when complications arise. This is an industry where, currently, qualifications aren’t mandatory, standards vary wildly, accountability is hard to enforce and consumer protection is an afterthought. But when the stakes are so high, everyone should have the right to expect that their treatment is regulated accordingly.

How to Stay Safe Until Regulations Are Strengthened

This content is for informational and educational purposes only and does not constitute medical advice - always consult with a qualified healthcare professional before treatment decisions.



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My Black Hair Doesn’t Need to Be a Political Manifesto—Why I’m Opting Out of the Trauma-or-Triumph Narrative

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Growing up, my family had very specific hair categories. One of my older sisters had 'long hair'—the kind that cascaded past her shoulders and invited endless questioning about her diet and my mother's choice in products. The eldest sister had the 'thick hair', a dense, enviable crown that, as we grew older, seemed impermeable to damage from dyes and 'unique' styling. And then there was me, the youngest of three, with hair that, despite all the same genetics and environment, never quite got the memo about growing past my shoulders. So, whenever wash day came around, I became used to my mother uttering the same gentle assurance, "Oh, but Ata has the 'softest' hair."

The older I got, the more I realised that this use of diplomatic euphemism was her way of sidestepping the conversation that many Black women have faced when their hair doesn't possess the length or curl pattern traditionally coveted. However, it inadvertently taught me early on that my tight, 4C coils were something to be carefully reframed or corrected. Since then, for as long as I can remember, society has insisted that a Black woman’s relationship with her hair must fit into one of two sweeping arcs.

women with black hair and a red scarf

(Image credit: Ata-Owaji Victor )

In camp one, there is the tragedy narrative: a story filled with chemical burns from relaxers, self-loathing, and a lifelong reliance on wigs and weaves used strictly as a disguise to conform to Eurocentric ideals. Then, for some Black women, there is the triumphant redemption arc—the emotional "natural hair journey" sparked by a big chop. It is a cinematic moment where you throw away the heat tools, embrace your afro in all its shrinkage-heavy glory, and declare that every kink on your head is a sacred act of political defiance and radical self-love.

For years, I believed I sat comfortably outside both narratives. The last time I saw a box of relaxer—and felt that familiar, sharp burn at the base of my scalp—was when I was 16 and for me, stepping away from chemical straighteners wasn't a radical choice. There was no solemn ceremony in front of a bathroom mirror. Instead, weaning my hair off the ‘creamy crack’ was due to a combination of living in a Black hair shop desert, not wanting to make the 40-minute bus journey to buy the necessary products, and teenage stubbornness (read: laziness) when the baton of haircare was officially passed to me.

Since then, I've gone through a multitude of hairstyles and kept wash days adaptable to my lifestyle; I rarely think or talk about my hair in a negative way. However, looking back, my hair transition has served as a point of questioning in my career as a beauty journalist. My relationship with my hair has never fit firmly into either of these camps, but when Black hair remains such a politicised topic in beauty, can I ever truly be neutral about mine?

It’s a delicate tension that exploded back into the public square early this year, led by TikTok creator @sshoz, whose viral video asking black women, “When’s the last time you left the house wearing your natural hair?” sparked a renewed discussion about the effects of a culture that on wigs, weaves, and protective styles may be harming both Black women’s relationships with their natural texture and outsiders’ perceptions of it. renewed conversations surrounding the natural hair movement by highlighting a crucial flaw within the Black hair space.

It doesn't need to be a political manifesto, a shield, a secret compromise, or an object of worship.

In some ways, both positive reactions have reached a critical juncture in this "third wave" of the natural hair movement—one that exposes how much of our socialisation around Afro hair has produced harmful messaging on both sides of the spectrum. It reveals how broader socialisation continues to shape the ways in which even Black spaces discuss racialised beauty.

Paradoxically, the current natural hair movement often, even if inadvertently, mirrors much of the harshness found in the negative or non-inclusive language that has historically surrounded Afro hair in the West. Hair is still frequently described as "stubborn," "difficult," or "unruly." It is the same language passed down by our mothers and grandmothers—a residual byproduct of survival and assimilation that taught us our natural hair was something to be conquered rather than accommodated. Today, even well-meaning natural hair spaces end up recycling that same punitive vocabulary, demanding perfection under the guise of care. So, with this in mind, is it ever possible to opt out completely?

To put it plainly, according to current research, the answer is no. To exist as a Black woman with 4C hair is to navigate this landscape of hyper-visibility and relentless institutional scrutiny. A recent report by The Guardian highlighted how discriminatory grooming policies persist globally—from classrooms in Jamaica and the UK to corporate boardrooms—enforcing colonial-era ideals of "respectability" and neatness. Even where regulatory progress occurs, the shift is painfully slow. Michelle De Leon, founder of World Afro Day, noted that while progress has been made in some countries—pointing to guidance from the UK’s equality watchdog on school uniforms designed to help prevent hair discrimination—the overall global picture remains strikingly uneven.

Meanwhile, research published by the University of Reading and community organisation TRIYBE explored the profound mental health toll of this hypervigilance, highlighting how Black women carry a constant burden of identity suppression in spaces that police their natural crowns.

Having reported extensively on Black hair politics over the years, I've tracked how we have historically been forced to carve out our own digital spaces to reclaim power—building online communities that paved the way for actionable change by recentering our textures, even in environments that refuse to make room for them. Writer and advocate Zeynab Mohamed captures this tension perfectly when reflecting on the intersecting pressures of visibility, race, and identity. "I think the idea that we can ever feel truly neutral about our appearance is almost utopian, particularly when it comes to hair," Mohamed explains. "Black women and Muslim women often have a complicated relationship with theirs. It can feel as though our hair doesn't fully belong to us; it's constantly being scrutinised, politicised or treated as public property."

Mohamed’s insight hits directly at the quiet dissonance I’ve felt for years. "For a long time, I thought I had a neutral relationship with my hair and my hijab, partly because I wanted to separate myself from all the external commentary," she admits. "But I've realised, it’s not as easy as that. Until we loosen—and ultimately break—the societal expectations placed on women's hair, neutrality will remain out of reach for many Black women and for women who wear the hijab."

Yet, what the current online discourse routinely misses is that for many Black women, protective styling and exaggerated hair aesthetics have evolved far beyond simple tools of assimilation. Many of the styles Black women now wear have expanded into a distinct expressive category, functioning much like the hyper-performative aesthetics embraced by other marginalised groups—such as drag queens—who construct an amplified, stylised version of femininity to protect themselves against misogynoir and societal hostility. In this context, hair becomes an art form, a shield, and a creative declaration of space rather than a quiet retreat into Eurocentric blending.

Sometimes, it’s just hair—and striving toward that plain, simple fact is the most peaceful journey of all.

Still, claiming neutrality while carrying a personal history of quiet adjustments leaves me constantly interrogating my own motives: Is this genuine neutrality, or is it internalised racism at play? Is my choice to step back from the politics of my hair simply a subtle, subconscious effort to render myself "other" or invisible—a protective crouch to avoid the discrimination that comes with being fully seen?

Recognising that pure neutrality might be an ideal rather than an immediate reality doesn't mean giving up on peace. Decoupling my self-worth from my hair texture requires recognising that neutrality isn't a state of complete detachment that you magically wake up with; it is an active choice to unlearn those old, bedroom-fashioned rules and resist the harsh language on both ends of the ideological spectrum. This constant pressure to perform hair care as either a political statement, a cultural armour, or an act of emotional healing is exhausting. We are rarely given permission for our hair to just be hair—dead cells, protein, a canvas, or simply a non-event.

I don't hate my "soft" 4C hair. I appreciate its versatility, its gravity-defying ability to change shape, and the complex history it carries. But I also refuse to spend four hours every Sunday wrestling with detangling brushes and a deep sense of moral duty just to prove a point to the world. Some days, I wear my natural hair because it’s easy. Other days, I wear extensions or a wig because I want a different look without analysing what it means for my soul.

Moving away from the binary of trauma versus triumph doesn't mean erasing the past or diminishing the cultural importance of Black hair. It simply means claiming the right to exist without constant self-analysis. My hair is part of me, but it is not the entirety of my story. It doesn't need to be a political manifesto, a shield, a secret compromise, or an object of worship. Sometimes, it’s just hair—and striving toward that plain, simple fact is the most peaceful journey of all.



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I Love My Fiancé, but I Resent the Emotional Labour of Planning Our Wedding

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“Evelyn has spoken,” my fiancé texted my dad after I had made yet another wedding decision, as though I’d issued a royal decree.

It was harmless, but it struck a nerve. Somewhere between getting engaged and getting married, I had become the default decision-maker for our wedding – not only with my fiancé, but for family, friends and suppliers too. If everyone was waiting for my final answer, was it fair that I was then characterised as the one ‘laying down the law’?

It’s the “bridezilla” paradox: brides are expected to care about every detail, keep track of every invoice and ultimately make the decisions. But be too decisive, and suddenly you’re controlling, demanding or taking your big day far too seriously. Funny how rarely we hear the term “groomzilla”.

Women are often labelled

Women are often labelled “bridezillas” for the very decisiveness wedding planning demands (Image credit: The Vault)

“Bridezilla” dates back to at least 1995, when someone decided the natural comparison for a woman taking ownership of her wedding was, apparently, Godzilla. Wedding culture expects brides to be beautiful, gracious and effortlessly feminine; express a firm opinion, and you’re recast as a rampaging monster.

I’m getting married next month, and while I cannot wait, I hadn’t anticipated that getting engaged would come with an unwanted promotion. Somewhere along the way, I was appointed Head of Nuptials, family liaison and resident expert on matters I had previously given precisely zero thought to.

What exact shade of tie should my father-in-law wear? Should our napkins have raw or hemmed edging? How many trestle tables are “too many”? Do we want goblets or wine glasses?

I made it through almost three decades without strong feelings about the relative merits of drinking vessels. Yet here I was, apparently uniquely qualified to make the call.

When did our equal relationship acquire a project manager?

My fiancé does help, after we spoke about the imbalance, he became much better at liaising with suppliers and taking practical jobs off my list. But almost every question requiring an actual decision still comes to me.

He can follow up on things, but I’m still expected to determine what we want. When I ask for his opinion, he will often say: “But I don’t mind.”

The problem is, neither do I. But a decision still has to be made, and “I don’t mind” transfers responsibility for making it to me.

There’s a difference between sharing tasks and sharing the mental load.

There’s a difference between sharing tasks and sharing the mental load. One person can book a supplier; someone still has to anticipate what needs doing, remember the details and know what comes next.

That’s how an otherwise equal, modern relationship can suddenly begin to look traditional. This isn’t unique to us. A study of recently married and engaged Norwegian millennials found that, even within a generation raised with greater expectations of equality, women often undertook most of the wedding work and were treated as the people who should know what was required.

If you have to remind your partner... you haven’t handed over the mental load; you’ve become their manager.

Marisa Peer, therapist

In her book Consumerism, Romance and the Wedding Experience, sociologist Sharon Boden suggests that women may come to see men as less competent at wedding planning, while men accept a “sign-off” role because weddings are perceived as a feminine domain. His passivity can then be taken as proof that she naturally cares more, rather than evidence that only one of them has been expected to develop an opinion.

Therapist and author Marisa Peer says dividing tasks doesn’t necessarily divide that underlying responsibility. “If you then have to remind [your partner], check what they’ve done or tell them how you want it done, you haven’t really handed over the mental load; you’ve simply become their manager.”

Apparently, it’s the bride’s job to know everything

It isn’t only partners who reinforce these roles. *Sophie, who is getting married next year, noticed this when her wedding planner created a group chat named “Sophie’s wedding 2027”.

Yet while the wedding industry automatically positions Sophie as the authority, that same authority is treated differently elsewhere. At work, colleagues frequently ask whether she has become a bridezilla.

“When I plan, manage and execute tasks at work, I’m seen as a ‘top performer’ who’s ‘highly organised’, but when brides apply the same standard to their weddings, it’s somehow ridiculed,” she says.

Brides can be praised for being highly organised at work, yet ridiculed for applying the same standards to their weddings.

Brides can be praised for being highly organised at work, yet ridiculed for applying the same standards to their weddings. (Image credit: The Vault)

Therein lies the unwinnable logic: appoint the bride project manager, direct every enquiry to her and expect her to have an answer. Then, once she behaves suspiciously like a project manager, accuse her of becoming a bridezilla.

Sociologist Dr Julia Carter argues that this “bridezilla” label helps police how women exercise the temporary authority afforded to them as brides. Her research suggests that wedding culture demands extreme organisation alongside perfectly controlled emotion.

You can’t win the ‘bridezilla’ game

Declining the role doesn’t necessarily help.

Before her wedding in 2024, *Nadia’s future mother-in-law sent her pictures of 13 potential hats and fascinators, demanding her opinion on each. Nadia didn’t care what she wore, so she repeatedly said they looked nice in the hope that she would simply choose one.

Her fiancé then received a call from his mother complaining that Nadia was being “far too picky” and “bossy”.

“The accusation came out of left field, as I was actually being the opposite,” Nadia says. “‘Bossy’ is a really charged term, and I felt hurt by it.”

Marisa says women are expected to care enormously and ensure every detail is right, but when that responsibility manifests as “stress, decisiveness or frustration”, they can suddenly be labelled demanding or controlling.

“But we don’t tend to use the same language when a man is highly invested in an event he is helping to organise,” she says.

I don’t resent my fiancé, but I do resent that he has been allowed to become my deputy while I’ve been cast as our wedding’s chief executive. I resent that “I don’t mind” is a valid answer for him, while I’m expected to form an opinion. Most of all, I resent how naturally our equal relationship slipped into roles neither of us consciously chose.

“Evelyn has spoken” was a joke, but somebody did have to speak. Everyone was waiting for an answer and, as usual, they were waiting for it from the bride.

I don’t believe brides inherently care more about napkins or tablecloths; I think we’re just not allowed to be the one to say: “I don’t mind.”

*Names changed

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Wednesday, 2 September 2026

30 of the Most Sought-After New Season Buys to Kick-Start Your Autumn/Winter 2026 Wardrobe

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Autumn officially starts today, and it’s my favourite time of year to organise my wardrobe and give it a refresh. Nothing beats rediscovering hidden gems I haven’t worn for months, alongside investing in a few key new-season pieces to bring my wardrobe up to date. This week, as many return from a final end-of-summer holiday and children head back to school, the temperature shift brings with it the need to adjust our wardrobes after what has felt like an endless summer.

It’s also a key moment in the fashion calendar for brands across the board, from the High Street to designers, as new-season collections land in store. If messy end-of-season sale racks aren’t your thing, step into your favourite shops this month to find immaculate rails filled with inspiring new collections. But, if you’re busy with the back-to-school rush or simply don’t have time to shop for yourself as you settle back into work, fear not.

Below, I’ve selected 30 key new-season buys — from transeasonal autumn jackets to new denim washes and shapes, and the back-to-work accessories worth investing in. I’ve done the legwork, so you don’t have to.

30 of the Most Sought-After Autumn/Winter 2026 New Season Buys



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