Saturday, 27 June 2026

“I Thought I Was Just the Weird One”: Milly Goldsmith Has Never Had a Boyfriend—But Opening Up About Being “Chronically Single” on TikTok Helped Her Realise She Wasn’t Alone

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When Milly Goldsmith uploaded a TikTok describing herself as “chronically single”, she thought a handful of people might relate. Instead, millions watched, and thousands of women flooded the comments to admit they'd never had a boyfriend either, confessing feelings they'd not shared out loud: that they felt left behind, embarrassed or convinced something must be wrong with them.

For Goldsmith, the response was a revelation. For years, she'd believed she was the only woman approaching 30 who'd never experienced romantic love. Instead, she’s since been called the voice of a generation and “the Gen Z Bridget Jones”.

Here, she reflects on shame, loneliness, people-pleasing and grieving the life she thought she'd have by now, and explains why she's finally stopped seeing being single as her greatest failure.

What It Feels Like To Have Never Had A Boyfriend

As told to Mischa Smith

I always thought getting a boyfriend was something that would just happen. It seemed like one of those milestones everyone reached without really thinking about it, like learning to drive or moving out. Everyone around me just seemed to find someone naturally, so I assumed the same thing would happen to me.

It wasn't until I was about 18 that I realised maybe it wasn't going to be that straightforward. By the end of school, I'd never had a boyfriend. I'd barely spoken to many boys, and all of my friends were starting relationships. At first, it was just something I noticed in the back of my mind, but over the years, that feeling slowly turned into fear.

@millygoldsmith

📔Chapter 31: the deadline for love It’s weird I’m fine one day and then not the next Like today I’m fine. I’m loving life. I’m loving my singeHOOODD But 2 days ago, I wasn’t. My mood was interrupted by this overwhelming sense of fear and panic Like SHIT I’m 28 and I’m still saying later ha haha but I’m fine with it??? Like I’m happy and if I’m like this for the rest of my life it won’t phase me because it’s all I know But the fear comes when i actually sit and think…huh…I haven’t experienced that thing everyone raves about and “can’t live without” Like that thing called love. The thing people say is the best feeling in the world?? Almost so goood that it feels like a drug Crazy Crazy how I’ve never come close to that feeling So then I’m like f*ck I WANT THAT but yeah I’m not doing anything about it because I’m so comfortable so I just tell myself I’ll experience that later (That ‘later’ is now and also 4 years ago) Sooooo…I had a little wobble in therapy because I realised ah shit time is no longer making me feel comfortable, if anything it’s making me feel panicked Idk if I’m making sense But just another brain dump as always

♬ original sound - millygoldsmith

I got to university and still hadn't had a boyfriend. I hadn't even had a situationship, and the longer I stayed single, the more it became my normal. Being independent became my comfort zone, so the idea of letting somebody into my life started to feel unfamiliar, and because it felt unfamiliar, it also felt frightening.

Even now, relationships are still this huge unknown to me because I've never experienced anything different. Love is such a huge shared human emotion, and I haven't really experienced that side of it. For something that's such a fundamental part of so many people's lives, it can feel quite isolating. There's definitely a sense of fear, but there's also a huge amount of FOMO.

I felt like I'd been left behind.

I think the turning point came after Christmas in 2024. I come from a family of four siblings, and Christmas has always been loud. There are loads of people in the house, presents everywhere, food everywhere, games, and conversations. I absolutely love Christmas. But that year, all of my siblings were with their partners and for the first time ever, it was just my parents and me.

If I'd had a partner, I would've been doing exactly the same thing as everyone else. Instead, I felt like I'd been left behind. Not just within my family, but somehow in life itself. I remember sitting there thinking: why? Why does this seem so easy for everybody else? Why can't I experience something that everyone else seems to experience naturally?

I'd been going to therapy already, but I'd never really spoken about being single. I think part of that was because I hadn't fully acknowledged how much it affected me, and the moment I said it out loud, it would become real. It would stop being something I could blame on bad luck or bad dates or bad men.

Deep down, I think I knew there was something about me that I needed to understand, but I wasn't ready to face it yet. Then I started journaling. I'd never really journaled before, but suddenly I had all these emotions that needed somewhere to go. There was a lot of crying, a lot of confusion, and a lot of anger.

Milly Goldsmith

(Image credit: Milly Goldsmith)

I kept thinking: why me? As I wrote, I slowly started connecting the dots. One of the biggest revelations was learning about attachment styles. I'm an anxious avoidant, which is probably one of the worst combinations if you're trying to build relationships. I need enough space to realise I actually want somebody, but by the time I've taken that space, I've usually pushed them away.

To someone else, it looks like I'm not interested; to me, it feels like I finally feel safe enough to let them in, but by then, they're already gone. That cycle suddenly explained so much about my life.

Being single wasn't the hardest part. The stories I'd told myself about being single were.

One of the strangest parts of all this has been talking about it publicly. When I first made a TikTok about being "chronically single", I genuinely thought people would think I was weird. I honestly didn't know anybody else who'd reached 28 without ever having a proper relationship.

I uploaded the video without overthinking it, which is unusual for me because I'm a perfectionist. I just wrote honestly about how I felt. Then it exploded. Suddenly, thousands of women were commenting, saying they felt exactly the same way, which completely changed my perspective because I'd spent years believing I was the odd one out.

Saying "I love you" to my parents honestly feels like saying a swear word.

The more I started understanding myself, the more I realised this wasn't just about dating, it was about the way I'd learnt to protect myself. One thing therapy made me think about was how difficult I find vulnerability.

Saying "I love you" to my parents honestly feels like saying a swear word. Everything in my body just tenses up.

It feels like I'm stripping away every layer I've built around myself. Every wall I've spent years putting up suddenly comes crashing down. They're only three words, but they carry so much weight. I just haven't had enough practice saying them to make them feel normal.

Even now, after my parents have read the chapter in my book where I write about this, my whole body tenses up knowing they know how I feel. There's still a small version of me that's trying to protect herself.

Milly Goldsmith

(Image credit: Milly Goldsmith)

Growing up, love wasn't really expressed through words in our family; it was always through actions. My mum would cook dinner, and she'd give me a hug. My dad would give me £10 after a dance exam and tell me he'd been proud of me, that was our version of saying, I love you.

I know my parents love me; I've never doubted that for a second. It was just something that went unsaid. Now that I'm older, I can see how growing up in an environment where we didn't verbalise those feelings has shaped me. It makes sense why opening up to people doesn't always come naturally. It's something I'm still trying to unlearn.

With some people, saying "I love you" feels completely natural. One of my best friends says it to me all the time, so I say it back really easily because I know there isn't any risk. I know it'll be received in exactly the way I intend it.

The same is true with my nieces; I'm always telling them how loved they are because I want them to grow up hearing those words. Maybe there's a part of me that's trying to give them something I would've found easier to hear growing up.

If I'm changing myself depending on who's in the room... who actually am I?

I don't think I'm broken; I just think some relationships require me to unlearn habits that have been there for a very long time. The same thing happened with people-pleasing; for years, I thought I was simply being kind. I thought changing my plans to suit somebody else or making myself endlessly available was just what nice people did. I didn't even know what boundaries were. Therapy taught me that being a kind person and being a people pleaser aren't the same thing.

When it came to dating, I'd let people move dates three or four times because I didn't want them to think I was difficult. I'd convince myself it was absolutely fine. Now I realise I could've said, "No, this day works, or it doesn't." That isn't rude; that's self-respect. I think there were lots of moments where I could've respected myself more.

For a long time, I worried more about whether someone else was annoyed with me than whether I was happy. I was constantly moulding myself to fit other people. Eventually, I had to ask myself a really uncomfortable question: If I'm changing myself depending on who's in the room… Who am I?

For years, I believed being single meant I'd failed somehow, that there must be something wrong with me. Now I see being single completely differently.

It's actually the default; it's where we all begin. It's given me an incredible amount of independence: I can travel on my own, spend weekends on my own, enjoy my own company, and I know myself incredibly well. Some people joke that maybe I know myself too well now.

Of course, there are moments where I think it would be lovely to have someone to book holidays with, cook dinner with or go to the cinema with. I'm still human, I still want love. But I don't see being single as something that's wrong with me anymore.

That's probably been the biggest shift of all.



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Friday, 26 June 2026

What Lily Loves: The Trainers Everyone Wants Right Now, a New York Designer I’m Obsessed With, and The Best Skirts for Hot Commutes

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Welcome to What Lily Loves, a personal edit of the pieces, places, and ideas currently inspiring me. Think of it as your insider guide to what’s shaping my wardrobe and daily rituals. From standout finds and under-the-radar designers to shopping destinations, cultural hotspots—from restaurants and theatres to podcasts—here are the latest discoveries I’m loving.

Lily Russo-Bah

(Image credit: @lilyrussobah)

The Designer Drop

New Balance X Miu Miu With Coco Gauff

New Balance and Miu Miu are once again joining forces with tennis star Coco Gauff, unveiling a new collection and campaign ahead of the Wimbledon Championships, which get underway on 30 June. Among the most coveted pieces in the collection are the cult New Balance 530 SL trainers, available in both brown and white leather. The styles have only just landed, but they're already selling out fast—so if you're hoping to get your hands on a pair, you'll want to act quickly. Shop the collection in full here.

Spotlight On

Tory Burch

American designer and entrepreneur Tory Burch founded her eponymous fashion brand in 2004 in New York. While the brand is widely known for its signature gold buckle ballet flats, polished everyday handbags, and timeless eyewear, it is her clothing that has become one of my personal highlights each season. For summer, whether it’s an anything-but-ordinary white vest paired with a pleated skirt or a chic carryall for work, it’s her ability to turn the everyday into something fun and unexpected while always maintaining that polished uptown aesthetic New Yorkers are known and loved for. With my wishlist growing longer every day, here are some of my favourites right now.

Shop the edit:

New In This Week

Summer Workwear Skirts

Finding something to wear in the heat that is comfortable enough for the school run, comfortable for navigating public transport on the commute, yet still smart enough to look office-ready by the time you arrive can sometimes feel like a real challenge in summer. Which is why I have been gravitating towards skirts that are either midi in length or fall just to the knee. The colour, fabric and print options are endless, which means this wardrobe classic need not be boring. From pleated linen in soft, buttery shades to more structured printed styles, simply pair with a vest top or a crisp shirt and your favourite sandals and you’re good to go.

Shop my edit:

On My Radar

The Ralph Lauren Clubhouse at Sloane Square, London

RL Wimbledon

(Image credit: Ralph Lauren)

To celebrate the start of Wimbledon, Ralph Lauren is bringing Sloane Square to life this summer with a four-week immersive takeover. There are giant Polo Bear sculptures dotted around the square, plus The RL Clubhouse hosting everything from workshops and talks to family games and kids’ activities. From 29 June, it even turns into a Wimbledon screening spot, so you can catch the tennis live outdoors. Ralph’s Coffee returns with a summer menu of iced matcha, soft serve and Wimbledon-inspired favourites like strawberries and Pimm’s. There’ll also be shopping, gifting and eyewear, with proceeds supporting The Royal Marsden Cancer Charity.

In Case You Missed It...



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Conor McGregor's Jimmy Fallon Interview Sends the Wrong Message to Survivors

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When Conor McGregor, the UFC fighter whom an Irish civil jury found had raped Nikita Hand, walked onto one of America's most-watched talk shows, there was no difficult conversation or acknowledgement of that finding. Instead, there were jokes, promotion and the whirring machinery of celebrity rehabilitation.

It is hard to imagine a clearer message to survivors of sexual violence: even when the court believes you, the court of public opinion is ready to move on.

The Tonight Show appearance was far from an isolated incident. This came despite a court hearing medical evidence that doctors had documented extensive bruising across Hand's body following the assault, while a paramedic testified she had "not seen someone so bruised, with that intensity of bruising" in a long time. Yet just two months after the verdict, McGregor made his first major public appearance, attending Donald Trump's inauguration in Washington, D.C., no less.

That appearance was followed by a string of other high-profile outings, including another visit to the White House, as well as interviews with Tucker Carlson and Fox's Sean Hannity. Neither interviewer addressed the civil case, instead allowing McGregor a platform to sound off about immigration and his presidential ambitions.

Million Women Rise March In London

Thousands of women and girls marched and rallied calling for an end to male violence against women and girls on the 7th of March 2026 in London. (Image credit:  Wiktor Szymanowicz/Future Publishing via Getty Images)

We often talk about why victims don't come forward. We list shame, fear of not being believed, and the trauma of reliving an assault in court. All of those barriers are real. But there is another question we ask far less often: what incentive do survivors have to endure years of investigation and legal proceedings if the person they accuse appears able to resume public life almost immediately afterwards?

This week, the Crown Prosecution Service announced changes designed to make rape trials fairer for victims. Prosecutors are being encouraged to focus more on a suspect's pattern of behaviour, rather than placing survivors under the microscope. As Victims' Commissioner Claire Waxman said, survivors need confidence that they will be treated with "dignity, respect and fairness" throughout the justice process.

These are welcome reforms, but justice doesn't end when a verdict is delivered.

It's also a slap in the face for all survivors of sexual assault and rape

Eliza Hatch

If the legal system is working harder than ever to encourage victims to come forward while wider culture continues welcoming powerful men back onto our screens, we create an impossible contradiction. We tell survivors that reporting matters while showing them that accountability may only last as long as the news cycle.

As campaigner Eliza Hatch puts it: "It's not just an incredibly insensitive and thoughtless insult to Nikita Hand. It's also a slap in the face for all survivors of sexual assault and rape, who are constantly told that men's careers and future prospects are worth more than their pain, suffering and lived experiences of trauma."

That contradiction isn't reserved for celebrity culture, either. Just last month, three teenage boys in Hampshire who were convicted of raping two girls avoided immediate custody. The judge cited, among other factors, their youth, low IQ and, maddeningly, a desire to avoid "criminalising" them unnecessarily. The sentences are now under review.

Though the details differ, the underlying message feels depressingly familiar. Again and again, attention focuses squarely on the futures of perpetrators, not the lifelong impact on survivors. We've heard countless examples of judges worrying about perpetrators' careers, their prospects and their supposed sporting promise. Too rarely do we ask the same questions about the people they assaulted.

We see this time and time again and it sends a harmful message to all of society that rape isn't that serious, when in reality it devastates women and girls' lives."

Sinéad Geoghegan, Head of Communications at the End Violence Against Women Coalition

This pattern stretches back decades. Brock Turner, the Stanford swimmer convicted of sexually assaulting an unconscious woman, received a mere six-month sentence after the judge cited concerns that a longer prison term would have a "severe impact" on him. His case became a global symbol of whose futures the justice system instinctively protects.

And though the country and court differ, the instinct to protect offenders is startlingly consistent.

As Sinéad Geoghegan, Head of Communications at the End Violence Against Women Coalition (EVAW), says: "The fact that a man found by a civil court to have raped a woman has been platformed on one of the world's most popular TV shows exemplifies the lack of meaningful accountability so many perpetrators face, particularly those with power and status. We see this time and time again and it sends a harmful message to all of society that rape isn't that serious, when in reality it devastates women and girls' lives."

Of course, none of this is to argue that every offender is beyond redemption or that rehabilitation has no place in justice. But when we rush to restore powerful men to positions of influence while the people they harmed continue to navigate lifelong trauma, it sends a message, whether intentionally or not, about whose pain matters more.



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Thursday, 25 June 2026

Spironolactone Is Being Dubbed the GLP-1 of Acne—Here’s What Derms Want Us to Know

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A precious few things are touted as a cure-all for hormonal acne, but spironolactone—a prescription-based medication—has been doing the rounds on social media for exactly that reason. But can anything really be a cure-all for something as complex as acne, and who exactly is it right for?

Originally developed to treat conditions such as high blood pressure and heart failure, spironolactone is now frequently prescribed by consultant dermatologists, like Dr Zainab Laftah, for hormonal acne and female pattern hair loss due to its anti-androgen effects.

“It’s most commonly prescribed for women with signs of androgen-driven conditions,” Dr Laftah explains. “This includes hormonal acne, particularly acne affecting the lower face and jawline, excessive hair growth (hirsutism), and female pattern hair loss. By blocking the effects of androgens, spironolactone helps reduce oil production, slow hair follicle miniaturisation, and improve unwanted hair growth.” She adds that it isn't routinely prescribed to men because of those same anti-androgen effects, which can lead to side effects including breast enlargement, reduced libido and sexual dysfunction.

It's gone viral online for a reason; it really does work. Partnerships Manager Molly Jappy, 27, tried everything to treat her hormonal acne, which was caused by Polycystic Ovary Syndrome (PCOS). “I spent 10 years trying every treatment and ointment, including Accutane, antibiotics, topical treatments, supplements and endless skincare products to no avail,” she tells Marie Claire UK. “I felt hopeless until I discovered spironolactone. I’ve had clear skin ever since. My confidence has just soared.”

Similarly, journalist and beauty expert Kristina Rudulfo found that her nodular, cystic acne wasn't responding to over-the-counter skincare. She eventually discovered spironolactone, which she took on and off over the next eight years. “Results typically show at the three-month mark and the difference was dramatic. I went from having anywhere from 15-20 painful, red cysts all across my jawline to having smooth, clear skin. Similar to the way people describe GLP-1 treatments as erasing "food noise", spironolactone erased the mental load of acne. I was no longer stressing and monitoring my diet for triggers, or combing over every single ingredient in my skincare and make-up.”

Kristina has since gone off the medication, however—citing side-effects from the anti-androgen properties that make it so effective. In combination with her contraceptive IUD, she found that spironolactone made her menstrual cycle irregular and, at times, caused it to disappear altogether. "Before planning for a family, I wanted to come off it and get my body's reproductive health and hormones back to baseline," she says. "But I do think I'll go back on it eventually because it was the most effective acne treatment I've ever tried."

It’s not a one-size-fits-all, despite what social media is saying

Dr Malvina Cunningham

While Consultant Dermatologist and Renew + Me ambassador, Dr Malvina Cunningham states that many people tolerate spironolactone well, she notes that Rudulfo's experience is not uncommon. “It’s not a one-size-fits-all, despite what social media is saying. Acne is a complex condition, and what works well for one person may not be suitable or effective for another.”

The most common side effects include increased urination (the medication is a diuretic), as well as breast tenderness, menstrual irregularities, headaches, dizziness and fatigue. However, there are also more serious side effects to consider.

Dr Christine Hall, a GP and aesthetic doctor who has taken spironolactone herself, stresses that the medication should only be used under appropriate medical supervision. "I have seen many hospital admissions, particularly in older people, where the cause has been this drug," she states. “In many cases, it is good practice to carry out blood tests before and during treatment. One of the key concerns with spironolactone is that it can affect and elevate blood potassium levels. Elevated potassium levels, known as hyperkalemia, must be monitored carefully because, if left unchecked, they can lead to serious complications, including abnormal heart rhythms and, in severe cases, death.”

Accordingly, it is generally not prescribed to people with certain underlying health conditions, including kidney disease, where the risk of elevated potassium levels is higher, or those with very low blood pressure. It is also not recommended during pregnancy, breastfeeding or while trying to conceive.

Interestingly, another less common side-effect that has been widely discussed on social media is breast enlargement. “It can happen because spironolactone’s anti-androgen effects alter the balance between androgens and oestrogen,” explains Dr Laftah. “In women, this may lead to a feeling of fullness or a modest increase in breast size, although this is not a universal side effect and is typically mild.” She adds that, in most cases, any breast enlargement associated with spironolactone improves or resolves once the medication is discontinued.

Out of the nine women I spoke to for this feature, only two reported mild side effects, including increased urination and occasional light-headedness. What may prove more prohibitive, however, is accessing the treatment itself.

Spironolactone is prescribed off-label for acne and is typically recommended by a dermatologist following an assessment. While it can be prescribed through the NHS, many people access it privately. All but one of the women I spoke to had received their prescription through a private dermatologist. The exception was Molly, who was eventually able to access it on the NHS following a PCOS diagnosis. Several cited NHS waiting times and administrative hurdles as reasons for going private.

"The biggest issue was actually getting hold of it," says 29-year-old writer Amber Rawlings. "There's so much red tape. I didn't even try going through the NHS because I'd heard it could take months, so I went straight to a private dermatologist. It was extremely expensive.”

While spironolactone itself is relatively inexpensive, the overall cost is driven by consultations, blood monitoring and follow-up appointments. Typically, an initial dermatology consultation can range from £200 to £350, while subsequent appointments may cost £100 to £250, depending on the clinic.

It was worth it for Amber, though: “I went from having skin that I was constantly fixating on to skin that I didn't have to think about at all. And honestly, that changes your whole existence. If you’re a suitable candidate for it, I’d recommend it in a heartbeat.”

But, of course, spironolactone is not the only solution for hormonal acne. As Dr Hall asserts, before even considering it, individuals should see a dermatologist and get an accurate diagnosis of the type of acne they have. “That’s really the key to finding the right treatment," she says. "In general, we like to start with the least invasive approach first. That means making sure someone is using the right over-the-counter skincare products and that their routine has been properly optimised. If that's not enough, we would usually consider adding topical prescription treatments. Oral medications are typically reserved for situations where they are genuinely needed.”



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This Trending T-Shirt Style Comes Approved by Zendaya and Alexa Chung—And It's So Easy to Throw On With Anything

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Zendaya is the opposite of a "smug married", except on last night's red carpet for Spider-Man: Brand New Day, which took place in a meltingly-hot Paris, she had every right to be; not so much because of her husband but because of what she had chosen to wear: a gorgeously oversized T-shirt. Vintage, and naturally depicting the film's titular superhero, it was cool in both senses of the word; a lesson in undone summer dressing and not trying too hard.

Zendaya

(Image credit: Getty Images)

The vintage T-shirt—or, in some cases, the vintage-esque T-shirt—is proving to be a hot-girl saviour this summer (especially if you dress it up with a pair of jelly shoes or smouldering heels). Jennifer Lawrence's off-duty wardrobe revolves around a rotation of tees—one of which pledges her allegiance to Mickey Mouse—which she pairs with elevated joggers or studded pants.

Zendaya

(Image credit: Getty Images)

Alexa Chung is known for her vintage nous but, also, her "outfitcam" selfies that she's been posting on Instagram, most of which include what is a graphic or slogan tee (that's either vintage or has a lived-in look) from her extension collection.

Alexa Chung

(Image credit: @alexachung)

Teaming hers with the ideal heatwave bottom half—fluid slips that grace the mid-calf—Chung makes a (very convincing) case for re-embracing the vintage-looking T-shirt, an item of clothing that might have defined your early '00s wardrobe if you were obsessed with the Olsens.

Alexa Chung

(Image credit: @alexachung)

Vestiaire Collective's T-shirt section carries a wealth of pre-loved designer tees, but, really, your best bet is probably hanging in your local charity shop or nearest vintage boutique. And like Zendaya, who chose a motif that meant something to her, the best tee will telegraph something about your personality, whether that's your favourite band or cartoon character.

Shop The Best "Vintage" T-Shirts



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Beauty, Protest and Power: These Are the Women Leading the Way at the Venice Biennale 2026

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Every two years, Venice hosts the Biennale d’Arte—the world’s largest and longest-running international art exhibition. Sometimes called the Art Olympics, the Biennale is made up of dozens of competing national pavilions, alongside two large-scale group shows put together by a guest curator. Programmed to coincide with this are hundreds more exhibitions, performances and interventions that turn the city into a unique cultural phenomenon.

The Venice Biennale is the art world’s most storied stage. From a performance pioneer making history to a feminist icon debuting new work, below (in no particular order!) is my pick of some of the women telling the most inspiring and powerful stories this year.

THE WOMEN OF VENICE BIENNALE 2026

LUBAINA HIMID AT THE BRITISH PAVILION

Lubaina Himid At The British Pavillion- Boatbuilders 2026

(Image credit: Lubaina Himid ‘Boatbuilders’, Courtesy the artist and the British Council )

Turner Prize-winning artist Lubaina Himid transforms the British Pavilion into a beautiful meditation on belonging. Predicting History: Testing Translation brings together vibrant large-scale multi-panel paintings, with works on found objects, ‘kanga’ paintings, and a soundscape made in collaboration with artist Magda Stawarska.

Himid, who was born in Tanzania and raised in the UK, describes the exhibition as “a guide to navigating life beyond one’s roots and to understanding what home can mean”. In that context, the neo-classical architecture of the pavilion, which opened in 1909 at the height of the British Empire, seems the perfect site to reflect on questions of national and personal identities, and what it means to make a home in a new place.

Giardini della Biennale, Sestiere Castello, Venice
Until 22 November 2026. The British Pavilion is commissioned by the British Counil. Following Venice, the exhibition tours select UK venues.
www.arts.britishcouncil.org/projects/british-pavilion-venice-biennale

JENNY SAVILLE AT CA’ PESARO

Jenny Saville At Ca' Pesaro

(Image credit: Jenny Saville, courtesy the artist and and Ca’Pesaro)

British painter Jenny Saville’s first major exhibition in Venice traces her practice from the 1990s to the present. The show brings together more than thirty canvases and works on paper, including new pieces created in homage to the city, alongside some of Saville’s most recognisable early nudes, which revitalised figurative painting while raising questions about societal perceptions of the body.

Saville’s practice is deeply rooted in the history of painting—Venetian painting in particular has become an essential reference for the artist. Placed here on the Grand Canal, in conversation with masters of Venice’s past, her work feels very much at home.

Ca' Pesaro, International Gallery of Modern Art, Santa Croce 2076, Venice
Until 22 November 2026
www.capesaro.visitmuve.it

DANA AWARTANI AT THE SAUDI ARABIA PAVILION

Dana Awartani: May your tears never dry, you who weep over stones 2026

(Image credit: Dana Awartani ‘May your tears never dry, you who weep over stones’ installation view, photo: Alive Busetto courtesy Visual Arts Commission)

Dana Awartani’s May your tears never dry, you who weep over stones, throws focus onto cultural heritage under threat. The artist invites visitors into an imaginary archaeological site, inspired by historically and materially important mosaics from Syria, Lebanon and Palestine, whose shared motifs and traditions highlight common cultures spanning three millennia.

The work covers the entire pavilion floor and comprises 29,000 handmade bricks, made in collaboration with 32 master craftspeople over 30,000 hours. Fabricated without binding agents, the bricks crack as they dry, representing the fragility of places across the world that have suffered devastating damage through man-made conflict and violence.

The presentation is curated by Antonia Carver, the UK-born Director of Art Jameel in Dubai and Saudi Arabia and, as with much of the work she has a hand in, it stayed with me long after I left it.

Arsenale, Sestiere Castello, Campo Della Tana 2169/F, Venice
Until 22 November 2026
www.saudipavilion.org

KATE MCCGWIRE AT FONDAZIONE DRIES VAN NOTEN

Comme des Garçons Spring Summer 2025

(Image credit: ‘The Only True Protest is Beauty’ installation view: Comme des Garçons Spring/Summer 2025, Christian Lacroix Fall/Winter 2004, Kate MccGwire ‘Stifle’, photo: Mattero de Mayda courtesy the artist and Fondazione Dries Van Noten)

The inaugural exhibition from Fondazione Dries Van Noten, The Only True Protest Is Beauty comprises more than 200 works of art, design, jewellery, and fashion—including stunning archive pieces from Comme des Garçons and Christian Lacroix—and explores beauty as a force for provocation and transformation. The title comes from one of American writer Phil Ochs’ 60s activist anthems, “In such ugly times, the only true protest is beauty” —the concept being that beauty can be unsettling, awakening and rejuvenating.

Despite this context, the title didn’t sit entirely comfortably with me. However, I could very comfortably spend hours in the exhibition—an extraordinary celebration of craftsmanship across disciplines, exquisitely curated by Dries Van Noten himself. Amongst many highlights are Stifle and Murmur—two pieces by British sculptor Kate MccGwire, known for creating mesmerising ‘three-dimensional paintings’ using the feathers of common birds.

Fondazione Dries Van Noten, San Polo, 2766, Venezia
Until 4 October 2026
www.fondazionedriesvannoten.org

NALINI MALANI AT KIRAN NADAR MUSEUM OF ART IN VENICE

Nalini Malani- Of Woman Born 2026

(Image credit: Nalini Malani ‘Of Woman Born’, courtesy Kiran Nadar Museum of Art copyright Nalini Malani)

For the second edition running, Kiran Nadar—arguably India’s most influential collector and founder of Kiran Nadar Museum of Art—presents a large-scale immersive work in Venice. This year, legendary artist Nalini Malani’s Of Woman Born transforms a former salt warehouse into a “thought chamber” filled with 67 animations made from over 30,000 iPad drawings, accompanied by a 20-minute soundscape of women’s voices.

The work is inspired by the Greek myth of Orestes, who murdered his mother and her lover in revenge for them killing his father. Though pursued by the Furies, Orestes was saved from punishment by the goddess Athena. Here, Malani meditates on this myth and its resonance with present-day wars, where accountability is rare and women continue to bear the brunt of patriarchal violence.

Magazzini del Sale n° 5, Fondamenta Zattere Ai Saloni, Dorsoduro 262, Venice
Until 22 November 2026
www.knma.org

FLORA YUKHNOVICH AT VICTORIA MIRO VENICE

Flora Yukhnovich, Peas in a Pod (detail), 2026

(Image credit: Flora Yukhnovich ‘Peas in a Pod’ (detail), courtesy the artist and Victoria Miro Gallery)

Currently on show at the Venice outpost of British gallery Victoria Miro, London-based Flora Yukhnovich is one of the most compelling painters working today. Her exhibition Egg is inspired by storytelling: myths, Biblical accounts and fairy tales, particularly those that feature fantastical conceptions and births.

Yukhnovich’s paintings are at once dreamy and unsettling and, hung against a large mural she has painted on site, they take on an almost ancient or mythical feel. One can easily imagine these works living on the walls of the gods and (wo)men whose legends they take inspiration from.

Victoria Miro Venice, San Marco 1994, Venice
Until 4 July 2026
www.victoria-miro.com

GABRIELLE GOLIATH AT CHIESA DI SANT’ANTONIN

Elegy- Gabrielle Goliath 2026

(Image credit: Gabrielle Goliath ‘Elegy’ installation view, photo: Luca Meneghel courtesy the artist)

Gabrielle Goliath’s Elegy is the biennale exhibition that almost never was. Originally selected as South Africa’s official presentation, the project was controversially ‘decommissioned’ before the entire national pavilion was cancelled. The work is now presented independently, and with particular resonance, in one of Venice’s many beautiful churches.

An elegy is a lament, and here it manifests as films of eight vocal performances dedicated to those who have been lost to violence or injustice – often women and minorities. As mournful as the work is, it is equally elevating. A truly sublime collective experience, the absence of which would have been genuinely tragic.

Chiesa di Sant’Antonin, Salizada S. Antonin, Castello 3477, Venice
Until 31 July 2026. Following Venice, Elegy will be presented at Ibraaz in London (October 2026) and ICA Milano (January 2027)
www.elegyinvenice.com

FAIZA BUTT AT PAKISTAN PAVILLION

Portrait of Faiza Butt photo by Carlotta Cardana

(Image credit: Faiza Butt portrait, photo: Carlotta Cardana )

Lahore-born, London-based artist Faiza Butt represents Pakistan with Punj•AB: A Sublime Terrain—one of the most beautiful presentations of the biennale. The exhibition is inspired by a region that is both a deeply personal geography for the artist and a historically rich site, shaped by millennia of trade, migration and cultural exchange.

Butt has filled the exhibition space with monumental and magnificent tapestries that combine dhurrie weaving, ikat, jacquard, and hand-spun cotton, and map the rise and fall of civilisations through colour and composition. A film work shot in a factory introduces viewers to rituals, labour, and communal life of Punjab today, juxtaposing rural traditions with industrialisation, and creating a through line from the past into the future.

Ex Farmacia Solveni, Dorsoduro 993-994, Venice
Until 22 November 2026
@pakistan_pavilion_2026

JUDY CHICAGO AT GALLERIA ALBERTA PANE

Judy Chicago

(Image credit: Judy Chicago, 2024, photo © Chicago Woodman LLC ,Donald Woodman Artists Rights Society, New York)

Judy Chigaco is a living legend. At 87, the artist—probably best known for her iconic project The Dinner Party—is having one of the richest moments of her already extraordinary career, creating vital new work, which can be seen for the first time at Alberta Pane Gallery this summer.

The Materiality of Judy Chicago offers a sweeping survey of her six-decade practice, from 1960s minimalist sculptures and The Dinner Party’s iconic plates to eight new glass and bronze sculptures, created in collaboration with internationally-renowned Venetian glass specialists, Studio Berengo.

For many years, Chicago has been a museum-level artist. This is a rare opportunity for fans to see her work in the intimate setting of one of Venice’s best independent galleries.

Gallerie Alberta Pane, Dorsoduro 2403H, Calle dei Guardiani, Venice
Until 22 November 2026
www.albertapane.com

DAYANITA SINGH AT ARCHIVIO DI STATO

Dayanita Singh At Archivio Di Stato

(Image credit: Dayanita Singh ‘Archivio’ installation view, photo: Luca Girardin © Dayanita Singh )

ARCHIVIO is Dayanita Singh’s tribute to the Italian archives she has photographed over the past decade, as well as her growing archive of images she’s taken of Italian architecture, interiors, artworks, friends, and more.

Singh is renowned not only for her photography, but also for challenging the concept of the exhibition, and the museum itself, as something static. She has reinvented both as living and evolving experiences, through an exquisitely-designed portable display system that can be used from architectural scale to that of furniture, or even a book. The system is used to perfection in Singh’s Venice presentation, which is part photographic exhibition, part sculptural installation, and wholly worth seeing.

Archivio di Stato, Campo dei Frari, San Polo 3002, Venice
Until 31 July 2026. After Venice, the exhibition travels to Rome, Turin and New Delhi.
www.dayanitasingh.in

LORNA SIMPSON AT PINAULT COLLECTION PUNTA DELLA DOGANA

Lorna Simpson At Pinault Collection Punta Della Dogana

(Image credit: Lorna Simpson ‘Head on Ice’, photo: James Wang courtesy the artist)

Over almost 50 years, François Pinault, Founder of the luxury fashion group Kerring (Gucci, YSL, Balenciaga, Bottega Venetta) has built an extraordinary collection of over 10,000 works of contemporary art. In 2006, he created his first exhibition space at Palazzo Grassi in Venice, followed soon after by a second at Punta della Dogana. Along with a third space in Paris, they offer an opportunity to see pieces from the collection within a programme of world-class exhibitions.

One of four such shows running to coincide with the biennale, Third Person is the most significant presentation of American artist Lorna Simpson’s work in Europe for more than a decade. The exhibition brings together around 50 paintings, collages, sculptures, installations, and films, spanning more than 20 years, with the most striking being a series of monumental, majestic female figures.

Punta della Dogana, Dosoduro 2, Venice
Until 22 November 2026
www.pinaultcollection.com

MARINA ABRAMOVIĆ AT THE GALLERIE DELL’ACCADEMIA

Mariana Abramović At The Gallerie Dell'Accademia

(Image credit: Marina Abramović ‘Transforming Energy’ installation view, courtesy the artist and Galleria dell’Academia)

Perhaps the most world’s most famous performance artists, Marina Abramović makes history by becoming the first living woman to be given a major solo exhibition at the Gallerie dell’Accademia. Transforming Energy marks the artist’s 80th birthday and brings together iconic works from across her career with new pieces made for the show.

In recent years, Abramovic has become increasingly interested in Buddhism and spirituality, and one highlight of the exhibition is a room of her Transitory Objects—stone beds and structures embedded with crystals that visitors are invited to lie, sit or stand upon, activating what Abramović calls “energy transmission”. Another highlight —and one that could only happen in Venice—is the installation of Abramovic’s Pietà, a work made with former partner Ulay, placed in direct dialogue with Titian’s unfinished masterpiece of the same name.

Gallerie dell'Accademia di Venezia, Campo della Carità - Dorsoduro 1050, Venice
Until 19 October 2026
www.gallerieaccademia.it

PEGGY GUGGENHEIM & FRIENDS AT THE PEGGY GUGGENHEIM COLLECTION

Peggy Guggenheim at the Peggy Guggenheim Collection

(Image credit: ‘Peggy Guggenheim in London’ installation view, courtesy Peggy Guggenheim Collection)

She’s no longer here in person, but Peggy Guggenheim’s spirit lives on in Venice as much as any artist’s. Guggenheim was born into a famously wealthy family, and was an avid collector of art. Before she settled in Venice, where her collection has its permanent home, she spent time in London, presenting work by avant-garde artists in her Cork Street gallery, Guggenheim Jeune.

Peggy Guggenheim in London: The Making of a Collector is the first large-scale exhibition dedicated to this period, when Guggenheim organised more than 20 shows over 18 months, including Kandinsky’s first UK solo. As well as a chance to see some of the world’s greatest artworks, this exhibition offers an insight into the influential personal and professional networks that helped Guggenheim shape her vision, and eventually made her one of the most revolutionary collectors and patrons in history.

The Solomon R. Guggenheim Foundation, Palazzo Venier dei Leoni, Dorsoduro 701, Venice
Until 29 October 2026. After Venice, the exhibition travels to the Royal Academy of Arts, London (November 21, 2026–March 14, 2027) and the Guggenheim New York (April 16, 2027–September 12, 2027).
www.guggenheim-venice.it

MARÍA MAGDALENA CAMPOS-PONS AT THE CENTRAL PAVILION

María Magdalena Campos-Pons At The Central Pavilion

(Image credit: María Magdalena Campos-Pons + Kamaal Malak_Anatomy of the Magnolia Tree for Koyo Kouoh and Toni Morrison, courtesy the artist and Venice Biennale.)

Installed at the heart of the Central Pavillion, the venue for one of the two main curated exhibitions, María Magdalena Campos-Pons’ monumental Anatomy of the Magnolia Tree for Koyo Kouoh and Toni Morrison is one of the most affecting works of the Biennale. The painting is simultaneously a shrine, elegy and affirmation – rightly placing the late curator Koyo Kouoh at the centre of the Biennale she conceived.

Giardini della Biennale, Sestiere Castello, Venice
Until 22 November 2026
www.labiennale.org

KOYO KOUOH THROUGHOUT VENICE

Tribute To Koyo Kouoh by Otobong Nkanga

(Image credit: Tribute to Koyo Kouoh by Otobong Nkanga, photo: Bakul Patki)

Last but not least, the late, great Koyo Kouoh’s influence is tangible throughout Venice. Kouoh was the widely admired Cameroonian-Swiss Executive Director of the Zeitz Museum of Contemporary Art Africa in Cape Town and the curator of this edition of the Venice Biennale. Tragically, she died almost exactly a year before the biennale opened. However, her vision has been realised posthumously by the team she put together before she passed.

Kouoh’s concept In Minor Keys calls for a shift away from spectacle, towards a more nuanced, quieter experience.

Her introduction to the theme began:


[Take a deep breath]
[Exhale]
[Drop your shoulders]
[Close your eyes]

And continued, “This is an invitation to…… shift to a slower gear and tune in to the frequencies of the minor keys. Because, though often lost in the anxious cacophony of the present chaos raging through the world, the music continues. The songs of those producing beauty in spite of tragedy, the tunes of the fugitives recovering from the ruins, the harmonies of those repairing wounds and worlds.”

It is a statement that has clearly influenced so many artists at the biennale and beyond, and one that I’ll be holding onto for a long time to come.



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