Sunday, 19 July 2026

If Your Ponytail Gives You a Headache—Your Hair Is Trying to Tell You Something

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When the temperature rises, so does our hair. Ponytails, slicked-back buns and polished knots are summer’s chicest form of heat management—keeping lengths off sticky necks while making even the most thrown-together outfit look intentional. Celebrities such as Kim Kardashian and Ariana Grande love a slicked-back ‘do, and Kate Middleton opted for a sporty ponytail at this year’s Wimbledon.

The only catch? Wearing your hair pulled back on repeat, particularly when it’s secured too tightly, can put stress on both strands and scalp, causing that all-too-familiar dull, tight-band headache creeping in by mid-afternoon. From tension headaches and split ends to tension-related hair loss, your sleek summer updo may be doing more damage than you realise. Here, the experts reveal the mistakes worth avoiding—and how to keep your hair up without the pounding head that comes with it.

So, can a tight ponytail really cause a headache?

First, the reassuring news: wearing a slicked-back ponytail or bun occasionally is unlikely to leave you with more than mild, short-lived discomfort. The tension is real, though—when hair is pulled tightly at the root, it can trigger what's sometimes called a "ponytail headache," a dull, tight sensation caused by strain on the scalp's nerve endings. When this tension is happening for prolonged periods, a slicked-back ponytail is your everyday go-to style, and it can cause more lasting damage.

The keywords here are repeated and prolonged. According to Cos Sakkas, global creative director at TONI&GUY, regularly pulling hair into a tight ponytail or top knot places pressure on the roots and can, over time, create tension—particularly around the temples, where that headache-like sensation is often felt. "The real issue isn't the occasional sleek style," agrees Proctor. "It's wearing your hair tightly in the same position every day without giving your scalp a break."

Jade Proctor, co-owner, senior director and colour specialist at Scullion & Scot, agrees: "Traction alopecia is a medically recognised form of hair loss caused by repeated, prolonged tension on the hair follicles over months or years—not by wearing a sleek ponytail for a special occasion or now and then."

In other words, there's no need to retire the slicked-back bun entirely. The way you wear it—and how often—is what matters.

Know when your hair is asking for a break

A snatched ponytail might look immaculate, but it shouldn’t feel uncomfortable. Itching, tenderness or redness around the hairline can all indicate that a style is placing too much strain on the follicles. Look closely at the temples, too: short, snapped strands can easily be mistaken for new growth.

“If your ponytail is giving you a headache at the end of the day, it’s a sign it’s too tight,” says Proctor. Sakkas agrees that a hairstyle should never make the hairline hurt or visibly pull at the skin. That familiar soreness when you finally take your hair down? It’s often a sign that the weight has been concentrated in one place for too long. If you notice discomfort, don’t try to push through it in the name of a cleaner finish. Take the style down, loosen it or wear your hair loose for a few days. Sleek should feel secure, not punishing.

Switch up your style—and spread the load

Wearing your ponytail at exactly the same height each day repeatedly pulls on the same areas, so a little variation can make a meaningful difference. Alternate a high ponytail with a low one at the nape, swap a sculpted bun for a softer knot and build loose or textured styles into the rotation. For thick or heavy hair, Sakkas recommends dividing the ponytail into two sections—one above the other—to distribute its weight more evenly. The technique can help alleviate pressure at the base while creating a fuller, more dimensional-looking tail.

And resist the urge to pull your hair tighter each time a flyaway appears. “Sleek doesn’t have to mean the tightest,” says Proctor. “The best-looking styles always come from healthy, conditioned hair and using the right tools and styling products.” A smoothing cream or leave-in treatment can create polish before the hair is secured, while hairspray and shine mist will deal with flyaways and add that expensive, glassy finish. Unless you deliberately want a hard, fixed effect, Sakkas suggests stepping away from heavy gel and letting a smoothing formula do the work instead.

Be smarter about brushes, bobbles and bedtime

The smallest details can make the biggest difference in breakage. Worn-out bobbles create friction and uneven tension, so replace them once they become stretched, rough or damaged. Avoid ordinary rubber bands entirely; soft, snag-free elastics, satin scrunchies and hook elastics are gentler alternatives.

Your brush matters, too. Proctor recommends choosing a good-quality brush that glides through the hair without catching, while Sakkas advises using a comb rather than a brush on wet hair. Hair is more vulnerable when wet, making it easier for bristles to snag, stretch and snap the strands.

Finally, however flawless your bun still looks at bedtime, take it down. “Always give your hair and scalp a chance to relax overnight,” says Proctor. Sleeping in a tight style adds pillow friction to an already stressed hairline. If you need to tie your hair back at night, Sakkas recommends a loose satin scrunchie and a silk or satin pillowcase.

The happy updo shopping list



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This New York-Based Label Made Its Name With Bags—Now Everyone Wants the Clothes

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When Hailey Bieber posted a picture on "Rhode Island" (get it?), she did so wearing a pair of flip-flops from what might be the brand of summer 2026: STAUD. The Freja leather sandals—a barely-there thong with a 6cm heel that feels somewhere between naughty and nice—is a fitting symbol of a brand that found a following courtesy of its handbags (and still does) but has now built its ready-to-wear to be similarly formidable.

Hailey Bieber

Hailey Bieber (Image credit: @haileybieber)

STAUD is summer, summer is STAUD. That is the impression you get from its tagged images on Instagram, whether it's a little beaded purse adding interest to butter yellow capri pants on Whitney Port, or a lime silk kaftan on Blair Eadie, its zesty shade contrasting with her peach background.

It's also managed to position itself as enviably vacation-adjacent; the brand that's ideal for the "holiday" version of you. Take its collaboration with Da Adolfo, a famous seafood restaurant in Positano. Featuring the eatery's motif that runs along the bottom of its umbrellas—a red fish—on garments such as cheerfully-striped rugby shirts, swimsuits and crocheted bucket hats, you can almost taste the salt in the air just scrolling through the collection on Net-a-Porter. The Instagram comments summed up the pairing: "Such a vibe!!!!", "Summer, distilled ❤️" and "Heaven."

Whitney Port

Whitney Port (Image credit: @whitneyeveport)

The "out-of-office" section of your wardrobe can't take up too much real estate, but the point about this collection is that weaving a piece into your everyday life—a straw bag shaped like a fish, say, or a square-necked sundress decorated with cascades of studs—will instantly pick up your mood.

And if the novelty bags or beaded flip-flops don't feel "useful" enough, STAUD's summer dresses are truly unparalleled. For wedding-guest season, the brand's minimal red column dress—its strapless neckline and shade of pomodoro means it's impossible to ignore—will serve excellently well (Blair Eadie's trick is to pair a bold dress with an even bolder necklace, FYI). Daytime calls for something airy and easy to pair with straw baskets and sandals. Enter STAUD's Margi, a pleated cotton-poplin sundress available in white, black, burgundy and vanilla.

Never felt like summer was "you"? STAUD might have something to say about that.

Shop Our Favourite Staud Buys



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Saturday, 18 July 2026

Water-Based Bronzers Gave Me the Glow That Cream and Powder Never Could—Here's the One I Can't Stop Using

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Despite the sunny weather we’ve been experiencing, my hunt for a post-holiday glow continues. As a beauty editor, I live by the belief that it’s my job to try every bronzer on the market, from powders to creams. But despite all that rigorous testing, only a handful of products have made the cut—it’s rare to find a powder that blends seamlessly, and I’ve found that many cream formulas can end up looking muddy on my complexion.

Enter the water bronzer. This new category has proved to be the solution to all my bronzer-related woes. They’re exactly as they sound: incredibly lightweight and effortlessly blendable, offering a wash of colour with enough pigment to create a believable bronzed look. Despite being a relatively new concept in the beauty world, there are already several different options on the market. First up is the one that got me hooked in the first place: Victoria Beckham Beauty Colour Wash.

Victoria Beckham Bronze Water Colour Wash

(Image credit: Nessa Humayun)

This long-wearing, watercolour-inspired formula has a slow-setting stain, giving you enough time to blend the watery texture with your fingers or a brush for a diffused flush that lasts all day. And it feels like water because, in part, it is: the formula is made with seawater sourced from the rocky cliffs of northern France for mineral-rich hydration. It comes with a dropper for precise application, and what I love most is how seamlessly it melts into the skin. There are no harsh lines, just a fresh bronzy glow that looks completely natural, as though it's come from within. This has true, I-just-stepped-off-a-plane energy.

But that's not all… There are a handful of other water bronzers on the market right now. Read on to see how they compare.



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Friday, 17 July 2026

Your Most Important Summer Purchase Isn't a Dress—It's Swimwear. These Are the Brands Worth Investing In

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We've all been there: reaching into the swimwear drawer only to pull out something crunchy, see-through or three sizes bigger than it was last summer. Not the best start to a holiday. Though not every swimwear piece meets this fate at the same speed. And as the chicly dressed women at Türkiye's luxury D Resort Göçek made abundantly clear during my recent Euro Summer sojourn, investment swimwear really does pay off in the long run. I watched these women swim in from superyachts, so can confirm they know exactly what they're talking about.

Price alone, however, isn't the only indicator of longevity—though I've found it to be a fairly reliable one. What we're really looking for is thicker fabric, double-lined designs (which also solves the see-through problem) and colourways less prone to fading or staining. And there's no shortage of beautiful swimsuits and bikinis up to the task.

Lauren Cunningham wears Hunza G bikini

(Image credit: Lauren Cunningham)

Hunza G—mine is four years old and going strong—Vix Paula Hermanny and Calvin Klein are just a handful of tried and tested swimwear brands that genuinely last far beyond a single summer.

Though, how quickly swimwear fades is also influenced by how we care for it. Chlorine, saltwater, sunscreen and sweat can all fade and alter the colour of swimwear, so rinsing pieces through at the end of each day is always wise. A cool rinse in the sink with a touch of mild detergent will do it—on holiday, I opt for hand soap or shampoo—and after a few uses, a 30-minute soak before lying flat to dry makes a real difference. If the washing machine is non-negotiable, a handwash or delicates cycle on a cool setting will keep things clean without causing damage.

Scroll on for the swimwear pieces worth the investment.

Investment Bikinis and Swimsuits We're Loving



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Thursday, 16 July 2026

People Are Obsessed With Beauty Dupes Being Made in the "Same Factory" As Premium Counterparts—That Myth Doesn't Hold Up

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“When you dupe, you dupe the consumer,” Charlotte Tilbury told BBC News when asked for her thoughts on other brands making similar products to her own for a fraction of the price. “I have looked at those dupes and they do not perform the way that my products do”.

If you search “Charlotte Tilbury dupes”, you’ll find a £4 drugstore lipstick, housed in a rose-gold ribbed tube almost identical to Tilbury’s now-iconic lipsticks. There’s also a £12 pressed powder that not only looks similar to Tilbury’s Flawless Filter Powder but also uses the same “Flawless” name. These are just two of the examples I found.

As a beauty editor, I understand Tilbury’s frustrations, but by speaking out, Tilbury has sparked a hot debate on the Internet. Creator Nina Pool posted a video on Instagram that has over 1 million views, claiming that she researched the manufacturers of Charlotte Tilbury products and found that her lip liners are “made in the same factory” as Kiko Milano's. However, while Charlotte Tilbury’s bestselling Lip Cheat Lip Liner is £22, Kiko Milano's is £7.99. You might jump to the conclusion that Kiko is duping Tilbury—after all, the cheaper product is the dupe, right?—but Pool goes on to say that Kiko Milano launched in 1997 and is decades older than Tilbury’s brand. So, who’s duping who?

The answer, however, isn’t so black-and-white. First, it requires a debunking of the age-old ‘same factory, same formula’ myth. While it is true that there are only a certain number of cosmetics factories in the world, and many brands use the same ones, it doesn’t necessarily follow that their products are identical.

“If you’re an affordable brand and you’ve been given a specific cost to stick to, there’s only so much you can do to truly replicate the performance and durability of a high-end product from a luxury brand, which likely has a higher cost price to work with,” an industry product developer tells me, who also asked to remain anonymous.

“Imagine you’re trying to recreate the performance of a premium eyeshadow palette, but you can only sell yours at retail for £15,” they say. “If your version lacks pigment or smoothness, you can make adjustments, but it almost always increases your manufacturing cost. As your cost price goes up, your profit margins go down, which isn’t sustainable for most brands unless they’re willing to increase the retail price”.

Whenever we think of profit margins, we often associate them with luxury brands, but every company has one, and those margins are going to be incredibly tight when your retail price is just £4. However, is every premium-priced brand really spending all its money on formulas to give the best possible product, rather than maximising its profit?

Sadly not, as my insider knows too well. “After overseeing a production line, I can say there are definitely cases in which some brands are charging higher prices for low-cost formulas. You’re paying for the name rather than an innovative or prestige product”.

I have to agree. My job requires me to trial multiple brands, and there have been many times I’ve swatched a highlighter or tested a foundation and immediately known there is a drugstore product that performs way better. It’s also happened at the other end of the spectrum, like when makeup artist brand Pat McGrath Labs first launched their eyeshadows and I willingly paid over £100 for a palette because the sparkle and sheen were truly like nothing I had ever seen before.

There's a huge difference between creating an affordable alternative and profiting off another brand's success.

Makeup artist Katie Jane Hughes is adept at using brands at all price points to achieve premium results, but now that she has her own brand, KJH, she has even more insight into the dupe industry. “I think dupe culture is fine when you are inspired by a formula, and you want to bring a slightly different version to market to fill a void, because there are tweaks you can make on things like finish, texture or shade range, to make that formula more affordable,” she says. “I think in Charlotte Tilbury’s case, however, it is often unfair because there are all these brands that are ripping off her packaging. They are mimicking her brand identity and trying to dupe the customer into thinking they’re actually buying a Charlotte Tilbury product.”

This raises an important distinction between products from different brands that are made in the same factory, and a brand that is outright (sometimes shamelessly) copying another brand’s entire DNA, from its formulas to its product names to its packaging. Surely, that’s duping?

Something that I think encompasses this point is one of Tilbury’s most beloved products: Hollywood Flawless Filter. At its launch in 2018, there was initial confusion. Is it a foundation? Is it a primer? Is it a highlighter? Turns out, it can be all of the above. In fact, this multitasking glow booster became so popular that it created an entirely new product genre. Fast-forward to today, and every drugstore brand has its own version. The clear distinction is that none of these products positions their value by pretending to be Charlotte Tilbury products. Yes, they may have drawn inspiration from Flawless Filter, but they have their own identity, names and marketing.

Take Rimmel’s Multi-Tasker Better Than Filters. The bottle and graphics are different to Tilbury’s and the language used to describe it is unique. Rimmel’s gives a really natural, sun-kissed glow, but I also find its consistency much thinner, which means I use more product. However, at around £10, it’s definitely a more affordable alternative to Tilbury’s £40 original.

Ultimately, perhaps we've become too quick to label everything a dupe. There's nothing wrong with brands taking inspiration from one another - that's how innovation evolves and competition only benefits consumers. But there's a huge difference between creating an affordable alternative and profiting off another brand’s success.



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After England's World Cup Defeat, I Couldn't Stop Thinking About One Statistic: Domestic Abuse Rises by 38% When England Lose

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Two years ago, during Euro 2024, I wrote about the rise in domestic abuse around England football matches. Violence against women and girls had just been declared a national emergency and, while the statistics were already well known to campaigners, seeing them enter the mainstream conversation felt like progress.

Last night, after England’s latest defeat, a friend turned to me and said, matter-of-factly: “I keep thinking about how many women are going to bear the brunt of this loss.” But the statistic I remembered was bleaker still: domestic abuse incidents rise by 38% when England lose—and by 26% even when they win or draw.

Given how much attention those figures have received, I had hoped things might be different. But when I reopened my 2024 article today, expecting to update it, I realised I was about to write almost exactly the same story.

I'd be reiterating, the same 2014 Lancaster University study, with those figures showing domestic abuse incidents rising by 26% when England play and by 38% when they lose. The same warnings from charities. The same insistence that football does not cause abuse, but that the heightened emotions, alcohol consumption and volatility surrounding major tournaments can exacerbate violence where it already exists. Something I always feel at pains to reiterate after facing a swathe of online abuse whenever I post about the correlation between football and domestic violence.

What Has Changed in Football Then?

What has changed since 2024, then, is not the underlying pattern; it is how prepared we have become for it.

Before this World Cup had even begun, Women’s Aid launched The Other Kick Off, a campaign built around 11.37pm: the estimated time abusive partners might return home after England’s opening match. Digital billboards appeared near fan zones and football hotspots, hijacking one of the tournament’s most searched questions—“What time is kick-off?”—and replacing it with the time many victims and survivors dread.

The Crown Prosecution Service also issued a warning that domestic abuse was expected to rise during the tournament, while police and prosecutors said they were working together to identify offenders and bring cases forward.

According to National Police Chiefs’ Council data, more than 300 domestic abuse offences were reported during Euro 2024 in cases where victims believed the perpetrator’s behaviour was linked to football. The CPS now says that four in five domestic abuse-flagged cases referred to prosecutors, where a charging decision is made, result in charges.

In one sense, this is progress. Institutions are talking openly about what happens around major tournaments. Police forces are preparing; so too are prosecutors and charities. Campaigns are more visible and better targeted.

But there is something deeply bleak about this level of preparedness. Have we really reached a point where a rise in domestic abuse is treated as another predictable feature of tournament football? As expected as crowded pubs, delayed trains and arguments over referee Ismail Elfath.

Before a ball is even kicked, helplines brace themselves. Charities like Women’s Aid and Refuge prepare campaign materials, police issue warnings, and journalists like me pull from the same decade-old statistics. Everyone knows what is coming—it’s right there in the campaign material: He’s Coming Home. That should shock us more than it does.

Women’s Aid Reveals ‘The Other ‘Kick Off’ Time Thousands of Women Dread During the World Cup

Women’s Aid Reveals ‘The Other ‘Kick Off’ Time Thousands of Women Dread During the World Cup (Image credit: Women’s Aid )

The 26% and 38% figures come from research published in 2014, based on reported incidents in Lancashire during the 2002, 2006 and 2010 World Cups. The study was limited in scale and researchers called for its findings to be replicated. Yet, more than a decade later, it remains the evidence base almost everyone reaches for. Why then has such an urgent, repeatedly cited finding not led to a larger national body of research?

Perhaps because awareness has become easier than action. Of course, awareness campaigns matter: they direct women towards support, help friends and relatives recognise signs of abuse, and remind people that coercive control, emotional abuse and financial abuse can be as devastating as physical violence.

But how many more awareness campaigns do we need before the emphasis shifts decisively towards prevention, perpetrator accountability and long-term cultural change?

Women’s Aid describes this summer as “another World Cup, but the same problem”. That’s difficult to argue with. Its latest campaign follows its 2022 He’s Coming Home campaign. Every tournament brings a new creative treatment of a reality that remains stubbornly familiar.

There Are Positive Signs Football Is Changing

There are signs that parts of football culture are beginning to grapple with masculinity more seriously.

UN Women UK’s Same Side campaign, in partnership with Vodafone Foundation, called on athletes to speak to boys and young men about empathy, vulnerability, relationships and respect. Its latest phase includes toolkits for teachers and sports coaches, recognising that sport is one of the places where boys learn what leadership, courage and strength are supposed to look like.

Other green shoots have come in the form of my social feed, which has been filled with clips of Jude Bellingham and Norway’s Erling Haaland embracing, supporting and defending one another, even when playing on opposing sides. And, of course, Haaland’s enviable Birkin collection. These are small moments: two footballers showing affection won’t dismantle misogyny, but still, it matters.

Young male fans are watching and absorbing what strength looks like, how men relate to one another, and whether intimacy, tenderness and emotional openness are compatible with elite masculinity.

But for real change to happen, we have to move the burden away from women and towards the men who abuse, as well as the institutions that respond to them and the cultures that excuse them. It would also mean refusing to treat this pattern as inevitable.

By Euro 2028, football will return home to England, Scotland, Wales and the Republic of Ireland. The celebrations will be enormous. The campaigns about connection, identity and national pride have already begun. One of the first, from BT, sees Frank Skinner and football legends from across the Home Nations celebrate the game's power to unite us. Football can be a great force for connection. But if we're willing to celebrate that power, we also have to confront what it reveals when some women still dread the final whistle.

As England looks to lick the wounds of last night’s loss, those campaigns will start gaining momentum, but I wonder whether the parallel campaign—the one warning women about what may happen after the final whistle—will still be necessary in two years' time. I hope not.



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I Learned More About My Health Wearing An Oura Ring During The England Match Than I Did From Any Workout

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If you know me, you'll know that I have something of a love-hate relationship with fitness trackers. On the one hand, I wear my Garmin religiously for marathon training and races, and love the amount of granular detail it provides about my training abilities, recovery, and sleep quality.

That said, I've also tested other fitness trackers in the past that left a bad taste. I'm a staunch advocate for listening to our bodies—it's one of our greatest tools—and have personally found some trackers override my own intuition, making me trust a readiness score on a screen (even with 8+ hours of sleep, good nutrition, and ample workout time, mine never seem to leave the red) over my own body.

When I saw the Oura 5 launch last month, though, I have to say I was intrigued. 40% thinner and lighter than previous designs, those who've tested have raved about how comfortable it is, how long the battery life lasts, plus how accurate the sensors are, too. I'd also heard my freelancer Anna rave about the earlier iteration, the Oura Ring 4.

What better time to test it, then, than during a high-pressure, edge-of-your-seat semi-final against Argentina? I've been wearing the ring for a week now, but found the data most interesting last night during the match. Keep scrolling for my review.

I Tested The Oura Ring 5 During Last Night's England Match: My Review

First up, the ring is incredibly easy to use. A noticeably slimmed-down design means it looks more like a wedding band than a fitness tracker, blending pretty seamlessly with my other gold bands and rings.

The app couldn’t be easier to navigate, either—while it does take anything from five days of tracking for some of the stats, like stress, symptom radar, and body clock, to calibrate, you can track other metrics, such as your daily activity, cycle insights, and heart rate, almost instantly.

The prompts are encouraging, rather than worrying—I feel like I learn more about my sleep quality in the first few days of using than I did in months with competitor trackers. Plus, the nearly packaged-up “Readiness” score is a handy reminder of how good your sleep quality was and how well your body is recovering.

I’m lucky enough to catch the semis at 180 The Strand with The Queens Court, an entertainment brand "bringing festival energy to the women’s game." Founded by Laura Garriga, who described her events as “like Coachella, but for sport,” their aim is simple: to create cultural experiences around the women’s game, blending sport with fashion, food, and music.

It was gorgeous, inclusive, and a perfect example of how both female athletes and the female fandom can—and should—be a central part of sport.

That said, tensions were still running high before the game. I’ve watched every England match this season and caught nearly every other fixture—while my husband initially joked that he had the World Cup, and I had Harry Styles’ 12-night Wembley residency, I’m from a football family and live for summers and sporting events like these. My great-grandad was manager of Crystal Palace, and my grandad played for Arsenal, and they taught us years ago that football can be about so much more than football - it can be about community, collaboration, and togetherness, especially during a tournament like the World Cup, which brings together countries from all over the world to share in their love of the game.

Ally Head testing the Oura Ring 5 during the England vs Argentina semi final

Senior Health Editor Ally Head testing the Oura Ring 5 during the England vs Argentina semi final (Image credit: Ally Head)

The first half is agonisingly slow—I’m happy that we haven’t conceded any goals, but I'm still on the edge of my seat, knowing how much is hanging in the balance.

Come the 55th minute of the match, when Anthony Gordon scores for England, I spend at least three minutes jumping, cheering, and celebrating before remembering to check my stress stats on the Oura app. It’s fascinating to see the spike in my heart rate and subsequent stress levels in real time. My average resting heart rate is 58bpm —it spiked to 107bpm just after the goal.

Sadly, the rest of the match didn’t go to plan, with Argentina scoring two goals in the last ten minutes of the game, subsequently securing their spot in the semi-final. My heart rate tells a similar stress story, spiking for both goals and the final whistle (101, 102 and 98 bpm).

What surprised me most wasn't the fact that my heart rate was spiking during the match—it was a nail-biter, and I can hedge a bet that if the entire nation had been wearing Oura's, their heart rate data would have been the same—rather, that my body stayed in a state of stress for hours afterwards.

Whether this was because of the tension late at night, leading to poorer quality sleep, or just the fact that the men's team threw away their shot at the final again, we'll never know—but having insight into such a breadth of data was an invaluable reminder to look after my body. It is, after all, just football, and a cup of camomile tea and ten minutes on my acupressure mat before bed did my body the world of good. In the app, there's also a handy link to a ten-minute relaxation meditation on the Headspace app.

Will I continue wearing my Oura ring? Almost certainly. I'm quite anti-tracker, as I've mentioned, and prefer listening to my body to gauge how I feel. But it's given me an invaluable insight in an undeniably accessible way.

Shop MC UK's other favourite fitness trackers, here:



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I'm Swapping My Everyday Watch for This Sportier Alternative—It's Far Chicer Than a Whoop

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Whether you are a tennis fan, a runner, a wild swimmer, or you are just looking for a way to accurately pace yourself on poolside margaritas, this summer stylish women everywhere are swapping their everyday timepieces for sportier watches that are every bit as chic as they are fun.

Choosing the right sports watch comes down to the activities you love. If you are a fan of speed or time-based sports, such as athletics, football or motorsports, then you might want to consider a chronograph that can give accurate timing. If watersports is more your vibe, seek out waterproof watches. Most contemporary sports watches will have you covered for a length of the pool, but if you are planning on some serious diving then look for a diver’s watch with greater functionalities to allow you to go deeper. And for sports such as tennis, golf or skateboarding, seek out a shock-proof timepiece.

Summer is also the time for travel. Even if you don’t consider yourself to be the sporty type, a good sports watch can be a great choice for holidays as they tend to be water resistant for beach or pool days, as well as robust enough to survive a sweat-inducing stroll around a market town. A rubber or fabric strap is far more forgiving in the heat than leather one. Stainless steel and ceramic bracelets are also good options.

Buying a sports watch is also a fun way to add a pop of colour to your wrist this summer. Opt for bright shades like pink, turquoise, green and yellow—or go all-white to show off your tan. Whatever your colour or sport of choice, forget the rule book, pile on your favourite bracelets and charms collected from your travels, and create a wrist stack that feels uniquely yours.

Scroll on for our edit of the best colourful sports watches for summer.

The Summer Sport Watches Worth The Investment



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